“La ronda nocturna”: a case of diachronic intersection between film and painting

This work is part of the reflection about the intersections between film and painting. It analyzes elements of The Night Watch by Rembrandt van Rijn according to some discourses included in Nightwatching, film by Peter Greenaway. The analysis appeals to the notion of “any moment” taken up by Deleuze...

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Detalles Bibliográficos
Autor principal: Dobrée, Ignacio
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013
Materias:
Convergence
Rembrandt
Greenaway
Enunciation
Film and painting
Convergencia
enunciación
Cine y Pintura
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/9328
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba

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