A ittle cinema with a lot of people inside. About Ana Mohaded's films

Ana Mohaded is an audiovisual filmmaker from Catamarca who has lived for several decades in the city of Córdoba, where she also works as a teacher, dean of the Faculty of Arts at the National University of Córdoba, a fighter for human rights and memory, and a researcher.  This article arise...

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Autores principales: Compagnucci, Ana Paula, Mohaded, Ana
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023
Materias:
Documentary
Memory
Film essay
Córdoba
Trajectory
Documental
Memoria
Cine-ensayo
Cine cordobés
Trayectoria
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/42876
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-42876
record_format ojs
spelling I10-R367-article-428762024-11-24T18:51:36Z A ittle cinema with a lot of people inside. About Ana Mohaded's films Un cine pequeño con mucha gente adentro. Sobre las películas de Ana Mohaded Compagnucci, Ana Paula Mohaded, Ana Documentary Memory Film essay Córdoba Trajectory Documental Memoria Cine-ensayo Cine cordobés Trayectoria Ana Mohaded is an audiovisual filmmaker from Catamarca who has lived for several decades in the city of Córdoba, where she also works as a teacher, dean of the Faculty of Arts at the National University of Córdoba, a fighter for human rights and memory, and a researcher.  This article arises from the need to give an account of a fundamental work for Cordoba's audiovisual culture. Ana Mohaded's filmography is abundant, vast and variable, and is maintained over time, both for its actuality and for the fact that since 1987 she has not stopped filming, writing and directing films.  Here we select three of her works, in order to weave an analysis that breaks the observational distance to construct one of approach and reflection. In a conversation that is articulated from writing and aims at exchange in a kind of exquisite corpse of two, we go with Ana through a dialogue that puts her works in value and context, while at the same time connecting us with her first-person experience. Ana Mohaded es una realizadora audiovisual oriunda de Catamarca que vive desde hace varias décadas en la ciudad de Córdoba, donde ejerce además, como docente, decana de la Facultad de Artes de la Universidad Nacional de Córdoba, luchadora por los DD. HH. y la memoria, e investigadora.  El presente artículo surge de la necesidad de dar cuenta de una obra fundamental para la audiovisualidad cordobesa: la filmografía de Ana Mohaded es abundante, vasta, variable y se mantiene en el tiempo tanto por su actualidad como por el hecho de que desde 1987 no ha dejado de filmar, escribir y dirigir películas.  Aquí seleccionamos tres de sus obras para ir tejiendo un análisis que rompe el distanciamiento observacional para construir uno de acercamiento y reflexión. En una conversación que se articula desde la escritura, y apunta al intercambio en una especie de cadáver exquisito de a dos, vamos con Ana transitando un diálogo que pone en valor y contexto sus obras, a la vez que nos conecta con su experiencia en primera persona.  Editorial de la Facultad de Artes, Universidad Nacional de Córdoba 2023-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-refereed Audiovisual Artwork Review Reseña de obras audiovisuales no evaluada application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/42876 10.55442/tomauno.n11.2023.42876 Toma Uno; No. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 131-147 TOMA UNO; Núm. 11 (2023): 40 años de democracia: imaginarios y narrativas en cine y artes audiovisuales; 131-147 2250-4524 2313-9692 10.55442/tomauno.n11.2023 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/42876/42979 https://revistas.unc.edu.ar/index.php/toma1/article/view/42876/42980 https://revistas.unc.edu.ar/index.php/toma1/article/view/42876/42981 Derechos de autor 2023 Ana Paula Compagnucci, Ana Mohaded http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Documentary
Memory
Film essay
Córdoba
Trajectory
Documental
Memoria
Cine-ensayo
Cine cordobés
Trayectoria
spellingShingle Documentary
Memory
Film essay
Córdoba
Trajectory
Documental
Memoria
Cine-ensayo
Cine cordobés
Trayectoria
Compagnucci, Ana Paula
Mohaded, Ana
A ittle cinema with a lot of people inside. About Ana Mohaded's films
topic_facet Documentary
Memory
Film essay
Córdoba
Trajectory
Documental
Memoria
Cine-ensayo
Cine cordobés
Trayectoria
author Compagnucci, Ana Paula
Mohaded, Ana
author_facet Compagnucci, Ana Paula
Mohaded, Ana
author_sort Compagnucci, Ana Paula
title A ittle cinema with a lot of people inside. About Ana Mohaded's films
title_short A ittle cinema with a lot of people inside. About Ana Mohaded's films
title_full A ittle cinema with a lot of people inside. About Ana Mohaded's films
title_fullStr A ittle cinema with a lot of people inside. About Ana Mohaded's films
title_full_unstemmed A ittle cinema with a lot of people inside. About Ana Mohaded's films
title_sort ittle cinema with a lot of people inside. about ana mohaded's films
description Ana Mohaded is an audiovisual filmmaker from Catamarca who has lived for several decades in the city of Córdoba, where she also works as a teacher, dean of the Faculty of Arts at the National University of Córdoba, a fighter for human rights and memory, and a researcher.  This article arises from the need to give an account of a fundamental work for Cordoba's audiovisual culture. Ana Mohaded's filmography is abundant, vast and variable, and is maintained over time, both for its actuality and for the fact that since 1987 she has not stopped filming, writing and directing films.  Here we select three of her works, in order to weave an analysis that breaks the observational distance to construct one of approach and reflection. In a conversation that is articulated from writing and aims at exchange in a kind of exquisite corpse of two, we go with Ana through a dialogue that puts her works in value and context, while at the same time connecting us with her first-person experience.
publisher Editorial de la Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2023
url https://revistas.unc.edu.ar/index.php/toma1/article/view/42876
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first_indexed 2024-09-03T22:57:22Z
last_indexed 2025-02-05T22:22:18Z
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