Femininity representation in contemporary animation.: A look on Mademoiselle Kiki et les Montparnos and On everyone’s lips.
The present work inquires into the representations of femininities which can take shape in Animation films. If we understand that every single animated pic is born from an empty space to be materialized, embodied y provided with sense, we would like to stop to analyze the different looks that could...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/30777 |
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| Sumario: | The present work inquires into the representations of femininities which can take shape in Animation films. If we understand that every single animated pic is born from an empty space to be materialized, embodied y provided with sense, we would like to stop to analyze the different looks that could take place there, and the possible expressive relationships between these materialities , as well as their production conditions and the representations of/from the femininities.
For this work we will take as object of study, two short films: On everyone’s lips (Dir: Ana Inés Flores, Milena Lois, Rocío Dalmau, Gabriela Fernández, Daniela Fiore, Irene Blei, Ileana Gómez Gavinoser, Miriana Bazán, Belén Tagliabue, Agostina Ravazzola, Carla Gratti, Paola Bellato, Isabel Estruch, Sofía Ugarte, Laura Norma Martínez, Berenice Gáldiz Carlstein, Isabel Macías, Marina Lizasuain, Ángeles Sena, Gabriela Clar, Raquel de Simone, Ana Martín - Argentina) and Mademoiselle Kiki et les Montparnos (Dir. Amélie Harrault - Francia).
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ARK: http://id.caicyt.gov.ar/ark:/s22504524/ngxwb1yo3 |
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