Field inside and city outside: Julia Solomonoff´s cinema gender positions
This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/30776 |
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| Sumario: | This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último verano de la boyita (2009) y Nadie nos mira (2017) are feature films that propose special models to consider the forms of politics that cinema can assume regarding social issues and, in this way, extend the field of aesthetic towards a common implication.
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ARK: http://id.caicyt.gov.ar/ark:/s22504524/ps9f8n5s1 |
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