The representation of Córdoba ́s urban space in contemporary TV fictional series
Since the Ley de Servicios de Comunicación Audiovisual (Law 26.522) was implemented a group of series, miniseries and telefilms started to emerge and so new scenery appear on Córdoba television screens: the city itself, previously never seen in that way. In that renewed panorama some productions hav...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/26201 |
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| Sumario: | Since the Ley de Servicios de Comunicación Audiovisual (Law 26.522) was implemented a group of series, miniseries and telefilms started to emerge and so new scenery appear on Córdoba television screens: the city itself, previously never seen in that way.
In that renewed panorama some productions have particular forms of space representation. In Incomunicados (2018), the verbal references to the city, its streets and its constructions prevail, it's a named space. La Purga (2011) presents a fictitious but possible neighborhood, created with fragments of different sectors of the city, it’s a reconstructed space. And La chica que limpia (2017) modifies the use and functionalities of certain iconic buildings of the city according to its narrative needs, it's a resignified space.
That geographical space is revealed by certain resources of the audiovisual language. While La chica que limpia stands out the continuity through the use of the sequence plane, the technique of the creative geography of Kuleshov in La Purga or the jump cut in Incomunicados reveal a significant idea of discontinuity. |
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