Punch of Playa del Futuro
This essay analyzes Futuro Beach (2014) as a queer work, one that challenges traditional formats of melodrama. Director Karim Aïnouz defined his film as a macho melodrama; however, I argue that Futuro Beach disrupts melodrama, its devices and ingredients. The film’s narrative is marked by punches, b...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20907 |
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| Sumario: | This essay analyzes Futuro Beach (2014) as a queer work, one that challenges traditional formats of melodrama. Director Karim Aïnouz defined his film as a macho melodrama; however, I argue that Futuro Beach disrupts melodrama, its devices and ingredients. The film’s narrative is marked by punches, blunt cuts, few dialogues and gaps that prevent closures. |
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