Passion for the narration: interview with Sergio Schmucler
Córdoba has produced few filmmakers as prolific as Sergio Schmucler who, throughout his career, has tackled different genres in almost all forms of production: from pure fiction with La Herencia (2008) and La sombra azul (2012), to collectively produced documentaries such as Guachos de la calle: Mem...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20898 |
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| Sumario: | Córdoba has produced few filmmakers as prolific as Sergio Schmucler who, throughout his career, has tackled different genres in almost all forms of production: from pure fiction with La Herencia (2008) and La sombra azul (2012), to collectively produced documentaries such as Guachos de la calle: Memorias del desarraigo (2015) or self-produced as Canción de Mariano (2007), always with an explicit political commitment as a common brand. It could be said that Schmucler's cinema participates in this somewhat weak but quickly identifiable category of political cinema, although without making it a banner of party militancy or a commercial sales strategy.
In the following interview, the director discusses his own history with cinema and his working methods. |
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