Conjectures about Aída Bortnik's exile in Madrid. Affective, professional and writing networks (1976-1979)
The following work seeks to be a contribution in the reconstruction of the exile experience of the playwright, journalist, and screenwriter Aída Bortnik, between 1976 and 1979. Access to her personal archive has allowed us to delve into her writing work over the years who lived in Madrid. In this ca...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Historia
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/RIHALC/article/view/37865 |
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| Sumario: | The following work seeks to be a contribution in the reconstruction of the exile experience of the playwright, journalist, and screenwriter Aída Bortnik, between 1976 and 1979. Access to her personal archive has allowed us to delve into her writing work over the years who lived in Madrid. In this case, we will focus on a script for the film adaptation of the novel Zama, a consecrating work by the Mendoza writer Antonio Di Benedetto. The direction of this film project, finally unfinished, was going to be in charge of Nicolás Sarquís. All three shared their condition as Argentine exiles due to the 1976 coup d'état. We postulate as a hypothesis of this work that the script in question constitutes a document-testimony of the exile experience of these three personalities. |
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