Performing Arts and Pandemic. Case analysis of Las pestes (video lectures from the confinement)
This article is proposed as the result of a process of creative research. It aims to analyze three performative conferences in virtual environments that we have carried out together in the context of isolation during the COVID pandemic. Our work is traversed by the traces of classics such as Sophocl...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2022
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/38494 |
| Aporte de: |
| Sumario: | This article is proposed as the result of a process of creative research. It aims to analyze three performative conferences in virtual environments that we have carried out together in the context of isolation during the COVID pandemic. Our work is traversed by the traces of classics such as Sophocles' Antigone, Federico Borromeo's chronicles of the 17th-century plague in Milan, contemporary political theory, manifestos of activist collectives, and the pestilent voices of right-wing Latin American presidents. To fulfill the aforementioned objective, we make use of the possibilities offered by discourse analysis, genetic criticism, and cultural analysis. The results and conclusions of this process allowed us to account for the exceptional aesthetic/political potentialities of the convivial crisis that the performing arts are going through, in the context of global isolation caused by the pandemic. |
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