Los fusilamientos from Alejandro Román: narraturgy and theater of the real
In September 2014, Mexico lived one of forced disappearance cases that had made the greatest impact in the last decades: 43 students were kidnapped in Ayotzinapa by police and Mexican army. Inspired by this tragedy, playwright Alejandro Roma...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/30018 |
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| Sumario: | In September 2014, Mexico lived one of forced disappearance cases that had made the greatest impact in the last decades: 43 students were kidnapped in Ayotzinapa by police and Mexican army. Inspired by this tragedy, playwright Alejandro Roman writes Los fusilamientos, a narraturgic text built on documents, testimonies and real images to posit his own truth about this event. In it, furthermore, explores two other massacres, one that happened the very same year as Ayotzinapa, in Tlatlaya, Estado de Mexico, and the shootings of Spanish people in Madrid, Spain, 1808. For the writer and poet, from a Zambranian vision, these stories become a motif for artistic exploration to face the terror that the State has been wanting to install through their institutionalized crimes. |
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