Other figurations about time: the anachronism
The proposal of this article is to present the notion of anachronism in an effort to restore its critical power. Anachronism has been considered a mistake by a more traditional historiography, but also a paradigm of historical interrogation, for the most recent art history. It is not so much about s...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25323 |
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I10-R361-article-253232023-03-02T18:57:05Z Other figurations about time: the anachronism Otras figuraciones acerca del tiempo: el anacronismo Dahbar, Victoria violence temporality figuration anachronism critique violencia temporalidad figuración anacronismo crítica The proposal of this article is to present the notion of anachronism in an effort to restore its critical power. Anachronism has been considered a mistake by a more traditional historiography, but also a paradigm of historical interrogation, for the most recent art history. It is not so much about saving the game of opposites, as to address anachronism as a figuration, and beside other temporal figurations, in the specific sense in which Donna Haraway addresses this notion, that is, as it already contains a discussion with the best stabilized temporal frames. To this end, the paper puts forward three moments: first, it explores the critical nature of figuration; then, it offers a discussion about anachronism and its epistemic character; finally, it offers questions directed to the reflection of anachronistic bodies and materialities, i.e., that are at this time without belonging entirely to it. La propuesta de este artículo es presentar la noción de anacronismo en un esfuerzo por devolverle su potencia crítica. El anacronismo ha sido considerado un equívoco para la historiografía más clásica, pero también un paradigma de interrogación histórica, para la historia del arte más reciente. Antes que salvar el juego de opuestos, la pretensión de este texto es abordar el anacronismo en tanto que figuración, y junto a otras figuraciones temporales, en el sentido específico en que Donna Haraway aborda esta noción, es decir, en tanto ya contiene una discusión con los marcos temporales mejor estabilizados. Para ello, el escrito avanza en tres momentos: primero, explora el carácter crítico de la figuración; luego, ofrece una discusión acerca del anacronismo y su carácter epistémico. Finalmente, ofrece algunas preguntas derivadas como horizonte de investigación, orientadas a la reflexión de cuerpos y materialidades anacrónicas, es decir, que están en este tiempo sin pertenecer del todo a él. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25323 10.55443/artilugio.n5.2019.25323 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 133-150 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 133-150 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 133-150 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25323/24597 https://revistas.unc.edu.ar/index.php/ART/article/view/25323/24616 https://revistas.unc.edu.ar/index.php/ART/article/view/25323/24644 Derechos de autor 2019 Victoria Dahbar http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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Universidad Nacional de Córdoba |
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I-10 |
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Artilugio |
| language |
Español |
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Artículo revista |
| topic |
violence temporality figuration anachronism critique violencia temporalidad figuración anacronismo crítica |
| spellingShingle |
violence temporality figuration anachronism critique violencia temporalidad figuración anacronismo crítica Dahbar, Victoria Other figurations about time: the anachronism |
| topic_facet |
violence temporality figuration anachronism critique violencia temporalidad figuración anacronismo crítica |
| author |
Dahbar, Victoria |
| author_facet |
Dahbar, Victoria |
| author_sort |
Dahbar, Victoria |
| title |
Other figurations about time: the anachronism |
| title_short |
Other figurations about time: the anachronism |
| title_full |
Other figurations about time: the anachronism |
| title_fullStr |
Other figurations about time: the anachronism |
| title_full_unstemmed |
Other figurations about time: the anachronism |
| title_sort |
other figurations about time: the anachronism |
| description |
The proposal of this article is to present the notion of anachronism in an effort to restore its critical power. Anachronism has been considered a mistake by a more traditional historiography, but also a paradigm of historical interrogation, for the most recent art history. It is not so much about saving the game of opposites, as to address anachronism as a figuration, and beside other temporal figurations, in the specific sense in which Donna Haraway addresses this notion, that is, as it already contains a discussion with the best stabilized temporal frames. To this end, the paper puts forward three moments: first, it explores the critical nature of figuration; then, it offers a discussion about anachronism and its epistemic character; finally, it offers questions directed to the reflection of anachronistic bodies and materialities, i.e., that are at this time without belonging entirely to it. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25323 |
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2024-09-03T22:28:02Z |
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