Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/21075 |
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I10-R361-article-210752023-02-09T22:57:27Z Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. Poéticas y políticas de lo vivo. Arte/s, performance y (des) montaje trans en tiempos de robótica, nanotecnología y postverdad. Cotaimich, Valeria poéticas y políticas de lo vivo arte performance (des) montaje trans poetics and policies of the live arts performance trans (des) assembly This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and cultural) on which health and life depend. These reflections are marked by a modality considered by those who write as transdisciplinary (Des) montage, based on a combination of disciplinary contributions -from the field of arts (visual, scenic, audiovisual and transmedia) and sciences (social, political and health)-; not disciplinary and undisciplined (which seek to address issues arising from the hegemonic patriarchal capitalist production and subjectivation mode) From there, it is poetically and politically sought to contribute to the care of the living, which has given rise to the project Biophilia / s. , mentioned at the end of the work, whose objective is to make visible, strengthen and / or generate proposals that link research and scientific-artistic production in favor of other possible worlds that are being. Este texto surge de una invitación de parte del equipo de ARTilugio surgida a partir del trabajo del ELAPPSS (Espacio laboratorio de arte/s, performance/s, política, salud y subjetividad/es). Se comparten reflexiones de orden científico, artístico y bioético en torno al cuidado de bienes comunes (ambientales y culturales) de los cuales dependen la salud y la vida. Estas reflexiones se encuentran signadas por una modalidad considerada por quien escribe como (Des) montaje transdisciplinar, basada en una combinatoria de aportes disciplinares -del campo de las artes (visuales, escénicas, audiovisuales y transmediales) y las ciencias (sociales, políticas y de la salud)-; no disciplinares e indisciplinados (que buscan abordar problemáticas surgidas del modo de producción y subjetivación capitalista patriarcal hegemónico. Desde allí se procura poética y políticamente contribuir al cuidado de lo vivo. Lo señalado ha dado lugar al proyecto Biofilia/s. Enferm@s de vida, mencionado al finalizar el trabajo, cuyo objetivo es visibilizar, fortalecer y/o generar propuestas que vinculen investigación y producción científico-artística en favor de otros mundos posibles que están siendo. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21075 10.55443/artilugio.n4.2018.21075 Artilugio; No. 4 (2018): Policies of the Living; 121-139 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 121-139 Artilugio; n. 4 (2018): Políticas de lo vivo; 121-139 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21075/20648 Derechos de autor 2018 Artilugio |
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Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
poéticas y políticas de lo vivo arte performance (des) montaje trans poetics and policies of the live arts performance trans (des) assembly |
| spellingShingle |
poéticas y políticas de lo vivo arte performance (des) montaje trans poetics and policies of the live arts performance trans (des) assembly Cotaimich, Valeria Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| topic_facet |
poéticas y políticas de lo vivo arte performance (des) montaje trans poetics and policies of the live arts performance trans (des) assembly |
| author |
Cotaimich, Valeria |
| author_facet |
Cotaimich, Valeria |
| author_sort |
Cotaimich, Valeria |
| title |
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| title_short |
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| title_full |
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| title_fullStr |
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| title_full_unstemmed |
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| title_sort |
poetics and politics of life. art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. |
| description |
This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and cultural) on which health and life depend. These reflections are marked by a modality considered by those who write as transdisciplinary (Des) montage, based on a combination of disciplinary contributions -from the field of arts (visual, scenic, audiovisual and transmedia) and sciences (social, political and health)-; not disciplinary and undisciplined (which seek to address issues arising from the hegemonic patriarchal capitalist production and subjectivation mode) From there, it is poetically and politically sought to contribute to the care of the living, which has given rise to the project Biophilia / s. , mentioned at the end of the work, whose objective is to make visible, strengthen and / or generate proposals that link research and scientific-artistic production in favor of other possible worlds that are being. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/21075 |
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AT cotaimichvaleria poeticsandpoliticsoflifeartsperformanceandtransdesmontageintimesofroboticsnanotechnologyandposttruth AT cotaimichvaleria poeticasypoliticasdelovivoartesperformanceydesmontajetransentiemposderoboticananotecnologiaypostverdad |
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2024-09-03T22:27:58Z |
| last_indexed |
2024-09-03T22:27:58Z |
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1809215629655277568 |