Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.

This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and...

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Autor principal: Cotaimich, Valeria
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/21075
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spelling I10-R361-article-210752023-02-09T22:57:27Z Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth. Poéticas y políticas de lo vivo. Arte/s, performance y (des) montaje trans en tiempos de robótica, nanotecnología y postverdad. Cotaimich, Valeria poéticas y políticas de lo vivo arte performance (des) montaje trans poetics and policies of the live arts performance trans (des) assembly This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and cultural) on which health and life depend. These reflections are marked by a modality considered by those who write as transdisciplinary (Des) montage, based on a combination of disciplinary contributions -from the field of arts (visual, scenic, audiovisual and transmedia) and sciences (social, political and health)-; not disciplinary and undisciplined (which seek to address issues arising from the hegemonic patriarchal capitalist production and subjectivation mode) From there, it is poetically and politically sought to contribute to the care of the living, which has given rise to the project Biophilia / s. , mentioned at the end of the work, whose objective is to make visible, strengthen and / or generate proposals that link research and scientific-artistic production in favor of other possible worlds that are being. Este texto surge de una invitación de parte del equipo de ARTilugio surgida a partir del trabajo del ELAPPSS (Espacio laboratorio de arte/s, performance/s, política, salud y subjetividad/es). Se comparten reflexiones de orden científico, artístico y bioético en torno al cuidado de bienes comunes (ambientales y culturales) de los cuales dependen la salud y la vida. Estas reflexiones se encuentran signadas por una modalidad considerada por quien escribe como (Des) montaje transdisciplinar, basada en una combinatoria de aportes disciplinares -del campo de las artes (visuales, escénicas, audiovisuales y transmediales) y las ciencias (sociales, políticas y de la salud)-; no disciplinares e indisciplinados (que buscan abordar problemáticas surgidas del modo de producción y subjetivación capitalista patriarcal hegemónico. Desde allí se procura poética y políticamente contribuir al cuidado de lo vivo. Lo señalado ha dado lugar al proyecto Biofilia/s. Enferm@s de vida, mencionado al finalizar el trabajo, cuyo objetivo es visibilizar, fortalecer y/o generar propuestas que vinculen investigación y producción científico-artística en favor de otros mundos posibles que están siendo. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21075 10.55443/artilugio.n4.2018.21075 Artilugio; No. 4 (2018): Policies of the Living; 121-139 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 121-139 Artilugio; n. 4 (2018): Políticas de lo vivo; 121-139 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21075/20648 Derechos de autor 2018 Artilugio
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic poéticas y políticas de lo vivo
arte
performance
(des) montaje trans
poetics and policies of the live
arts
performance
trans (des) assembly
spellingShingle poéticas y políticas de lo vivo
arte
performance
(des) montaje trans
poetics and policies of the live
arts
performance
trans (des) assembly
Cotaimich, Valeria
Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
topic_facet poéticas y políticas de lo vivo
arte
performance
(des) montaje trans
poetics and policies of the live
arts
performance
trans (des) assembly
author Cotaimich, Valeria
author_facet Cotaimich, Valeria
author_sort Cotaimich, Valeria
title Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
title_short Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
title_full Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
title_fullStr Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
title_full_unstemmed Poetics and politics of life. Art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
title_sort poetics and politics of life. art / s, performance and trans (des) montage in times of robotics, nanotechnology and post-truth.
description This text arises from an invitation from the team of ARTilugio arising from the work of ELAPPSS (Space laboratory of art / s, performance / s, politics, health and subjectivity). Reflections of a scientific, artistic and bioethical nature are shared around the care of common goods (environmental and cultural) on which health and life depend. These reflections are marked by a modality considered by those who write as transdisciplinary (Des) montage, based on a combination of disciplinary contributions -from the field of arts (visual, scenic, audiovisual and transmedia) and sciences (social, political and health)-; not disciplinary and undisciplined (which seek to address issues arising from the hegemonic patriarchal capitalist production and subjectivation mode) From there, it is poetically and politically sought to contribute to the care of the living, which has given rise to the project Biophilia / s. , mentioned at the end of the work, whose objective is to make visible, strengthen and / or generate proposals that link research and scientific-artistic production in favor of other possible worlds that are being.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2018
url https://revistas.unc.edu.ar/index.php/ART/article/view/21075
work_keys_str_mv AT cotaimichvaleria poeticsandpoliticsoflifeartsperformanceandtransdesmontageintimesofroboticsnanotechnologyandposttruth
AT cotaimichvaleria poeticasypoliticasdelovivoartesperformanceydesmontajetransentiemposderoboticananotecnologiaypostverdad
first_indexed 2024-09-03T22:27:58Z
last_indexed 2024-09-03T22:27:58Z
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