Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque
This research examines the Baroque aesthetic in Latin America and its updates on contemporary literature. The Argentinean novels Slum Virgin (2009) and The adventures of China Iron (2017) by Gabriela Cabezón Cámara as well as The Queens of Sarmiento Park (2019) by Camila Sosa Villada enable a Baroqu...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sintesis/article/view/44028 |
| Aporte de: |
| id |
I10-R356-article-44028 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R356-article-440282023-12-29T15:41:46Z Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque Reactualizaciones del Neobarroco en las obras de Gabriela Cabezón Cámara y Camila Sosa Villada: Imagen y contraconquista en el Barroco contemporáneo Ponsati Cohen , Eva Neobarroco literatura argentina contemporánea imagen contraconquista Neobaroque contemporary Argentinean literature image counter-conquest This research examines the Baroque aesthetic in Latin America and its updates on contemporary literature. The Argentinean novels Slum Virgin (2009) and The adventures of China Iron (2017) by Gabriela Cabezón Cámara as well as The Queens of Sarmiento Park (2019) by Camila Sosa Villada enable a Baroque reading that brings up the questions regarding the categories of image and counter-conquest. This research puts forward the image and visual games as central to the Baroque, combined with the Latin American tensioned syncretism that becomes insurrection and counter-conquest. José Lezama Lima’s notions of indiátide and counter-conquest, in addition to the Severo Sarduy’s categories and systematization of the Neobaroque theory, are the core ofthis research. Throughout this work I articulate concepts such as the anachronistic image (Georges Didi-Huberman), retombeé (Sarduy) and resonance (Lezama Lima). Current studies on the Neobaroque field such as the works of Valentín Díaz and Mabel Moraña provide the necessary openness to establish points of contact between the aesthetic issues within Didi-Huberman’s approach and the theoretical journey proposed by Lezama Lima and Severo Sarduy. Este artículo aborda la estética barroca en Latinoamérica y sus reactualizaciones en la literatura contemporánea. En las novelas argentinas La Virgen Cabeza (2009) y Las aventuras de la China Iron (2017) de Gabriela Cabezón Cámara y Las malas (2019) de Camila Sosa Villada se habilita una lectura barroca que abre además la pregunta por las categorías de imagen y contraconquista. Esta propuesta postula a la imagen y el juego visual como central en el barroco, en conjunción con el sincretismo tensionado propio de América que deviene insurrección y contraconquista. La indiátide y contraconquista de Lezama Lima y las categorías y sistematización teórica del Barroco de Severo Sarduy son el núcleo teórico de la propuesta. Se articulan a lo largo de este trabajo conceptos como la imagen anacrónica de Georges Didi-Huberman, la retombeé de Sarduy y la idea de resonancia de Lezama. Estudios actuales sobre Neobarroco como los de Valentín Díaz o Mabel Moraña brindan la apertura necesaria para establecer los puntos de contacto entre la problemática de la estética desarrollada por Didi-Huberman y los caminos teóricos propuestos por Sarduy y Lezama. Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica 2023-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sintesis/article/view/44028 Síntesis; Núm. 13 (2023): Revista Sintesis; 63-77 2314-291X 1851-8060 spa https://revistas.unc.edu.ar/index.php/sintesis/article/view/44028/44362 Derechos de autor 2023 Síntesis https://creativecommons.org/licenses/by-nc-nd/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-356 |
| container_title_str |
Síntesis |
| language |
Español |
| format |
Artículo revista |
| topic |
Neobarroco literatura argentina contemporánea imagen contraconquista Neobaroque contemporary Argentinean literature image counter-conquest |
| spellingShingle |
Neobarroco literatura argentina contemporánea imagen contraconquista Neobaroque contemporary Argentinean literature image counter-conquest Ponsati Cohen , Eva Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| topic_facet |
Neobarroco literatura argentina contemporánea imagen contraconquista Neobaroque contemporary Argentinean literature image counter-conquest |
| author |
Ponsati Cohen , Eva |
| author_facet |
Ponsati Cohen , Eva |
| author_sort |
Ponsati Cohen , Eva |
| title |
Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| title_short |
Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| title_full |
Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| title_fullStr |
Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| title_full_unstemmed |
Updates of Neobaroque on the works of Gabriela Cabezón Cámara and Camila Sosa Villada: Image and counter-conquest in contemporary Baroque |
| title_sort |
updates of neobaroque on the works of gabriela cabezón cámara and camila sosa villada: image and counter-conquest in contemporary baroque |
| description |
This research examines the Baroque aesthetic in Latin America and its updates on contemporary literature. The Argentinean novels Slum Virgin (2009) and The adventures of China Iron (2017) by Gabriela Cabezón Cámara as well as The Queens of Sarmiento Park (2019) by Camila Sosa Villada enable a Baroque reading that brings up the questions regarding the categories of image and counter-conquest. This research puts forward the image and visual games as central to the Baroque, combined with the Latin American tensioned syncretism that becomes insurrection and counter-conquest. José Lezama Lima’s notions of indiátide and counter-conquest, in addition to the Severo Sarduy’s categories and systematization of the Neobaroque theory, are the core ofthis research. Throughout this work I articulate concepts such as the anachronistic image (Georges Didi-Huberman), retombeé (Sarduy) and resonance (Lezama Lima). Current studies on the Neobaroque field such as the works of Valentín Díaz and Mabel Moraña provide the necessary openness to establish points of contact between the aesthetic issues within Didi-Huberman’s approach and the theoretical journey proposed by Lezama Lima and Severo Sarduy. |
| publisher |
Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/sintesis/article/view/44028 |
| work_keys_str_mv |
AT ponsaticoheneva updatesofneobaroqueontheworksofgabrielacabezoncamaraandcamilasosavilladaimageandcounterconquestincontemporarybaroque AT ponsaticoheneva reactualizacionesdelneobarrocoenlasobrasdegabrielacabezoncamaraycamilasosavilladaimagenycontraconquistaenelbarrococontemporaneo |
| first_indexed |
2024-09-03T22:21:33Z |
| last_indexed |
2024-09-03T22:21:33Z |
| _version_ |
1809215225701859328 |