Work and its narratives
When I began writing, my work life divided in two. In one compartment, I wrote novels; in the other, sociology. The novel writing which interested me from the beginning made experiments in narrative -- stories which played with the indeterminate movement of events or created incoherence intentionall...
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Instituto de Investigación de Vivienda y Hábitat
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ReViyCi/article/view/22785 |
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I10-R355-article-227852018-12-18T12:48:20Z Work and its narratives El trabajo y sus narrativas Sennett, Richard Trabajo Narrativas Sociología Capitalismo When I began writing, my work life divided in two. In one compartment, I wrote novels; in the other, sociology. The novel writing which interested me from the beginning made experiments in narrative -- stories which played with the indeterminate movement of events or created incoherence intentionally. The masters of this kind of disruptive narrative in my youth were Jorge-Luis Borges and Italo Calvino; its great interpretative critic was Roland Barthes. The crafting of such stories exhilarated me, opening up the freedom of the unchartable. As a sociologist, I worked in another realm of time. When I began studying labor in the early 1970's, the life histories of the people I interviewed resembled well-made plots, determinate and constricted rather than experimental. The American manual laborers on whom I reported in The Hidden Injuries of Class (1972), for instance, served only a few employers during the course of their lives, and hoped to better themselves by small, incremental gains in salary and status. White collar employees higher up the job scale even more orchestrated their lives in order to a climb up a fixed corporate ladder. These real-life narratives were shaped by big, well-defined institutions: corporations with elaborate bureaucracies, powerful unions, an intrusive welfare state. Cuando comencé a escribir, mi vida laboral estaba divida en dos. En un compartimento escribía novelas y, en el otro, sociología. La escritura de novelas que me interesó desde el principio era aquella que experimentaba con la narrativa: historias que jugaban con el movimiento indeterminado de eventos, o que creaban incoherencias intencionalmente. Los maestros de este tipo de narrativa disruptiva, en mi juventud, fueron Jorge Luis Borges e Ítalo Calvino. Su gran intérprete crítico fue Roland Barthes. La producción artesanal de tales historias me entusiasmaba, abriéndose hacia la libertad de lo inexplorado. Como sociólogo, trabajé en otro reino del tiempo. Cuando comencé a estudiar, a principios de los ‘70, las historias de vida de las personas a quienes yo entrevistaba, se parecían a tramas bien construidas, determinadas y restringidas, más que experimentales. Por ejemplo, los trabajadores manuales americanos, a quienes me referí en Las heridas ocultas de la clase (1972), servían tan solo a unos pocos empleadores a lo largo de sus vidas, y esperaban mejorar su situación a través de pequeñas y paulatinas subas de salario y status. Los trabajadores no manuales -de “cuello blanco”- ubicados más arriba en la cadena del empleo, orquestaban todavía más sus vidas con el objetivo de ascender por la escalera corporativa. Estas narrativas de la vida real estaban moldeadas por instituciones grandes y bien definidas: corporaciones con elaboradas burocracias, poderosos sindicatos, un intrusivo Estado de bienestar. Instituto de Investigación de Vivienda y Hábitat 2018-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/ReViyCi/article/view/22785 Vivienda y Ciudad; Núm. 5 (2018); 5-15 2422-670X spa https://revistas.unc.edu.ar/index.php/ReViyCi/article/view/22785/22373 Derechos de autor 2018 Richard Sennett |
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Universidad Nacional de Córdoba |
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I-10 |
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R-355 |
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Vivienda y Ciudad |
| language |
Español |
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Artículo revista |
| topic |
Trabajo Narrativas Sociología Capitalismo |
| spellingShingle |
Trabajo Narrativas Sociología Capitalismo Sennett, Richard Work and its narratives |
| topic_facet |
Trabajo Narrativas Sociología Capitalismo |
| author |
Sennett, Richard |
| author_facet |
Sennett, Richard |
| author_sort |
Sennett, Richard |
| title |
Work and its narratives |
| title_short |
Work and its narratives |
| title_full |
Work and its narratives |
| title_fullStr |
Work and its narratives |
| title_full_unstemmed |
Work and its narratives |
| title_sort |
work and its narratives |
| description |
When I began writing, my work life divided in two. In one compartment, I wrote novels; in the other, sociology. The novel writing which interested me from the beginning made experiments in narrative -- stories which played with the indeterminate movement of events or created incoherence intentionally. The masters of this kind of disruptive narrative in my youth were Jorge-Luis Borges and Italo Calvino; its great interpretative critic was Roland Barthes. The crafting of such stories exhilarated me, opening up the freedom of the unchartable. As a sociologist, I worked in another realm of time. When I began studying labor in the early 1970's, the life histories of the people I interviewed resembled well-made plots, determinate and constricted rather than experimental. The American manual laborers on whom I reported in The Hidden Injuries of Class (1972), for instance, served only a few employers during the course of their lives, and hoped to better themselves by small, incremental gains in salary and status. White collar employees higher up the job scale even more orchestrated their lives in order to a climb up a fixed corporate ladder. These real-life narratives were shaped by big, well-defined institutions: corporations with elaborate bureaucracies, powerful unions, an intrusive welfare state. |
| publisher |
Instituto de Investigación de Vivienda y Hábitat |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/ReViyCi/article/view/22785 |
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