Ignacio's first portraits and the beginnings of Ignatian iconography

From a mortuary mask began to paint portraits of St. Ignatius in Europe, until he began to draw a series about the most important events of his life. We present this news to reach the Rubens models that were the ones that ultimately prevailed and influenced the whole world to start a classic iconogr...

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Autor principal: Page, Carlos A.
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2020
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Acceso en línea:https://revistas.unc.edu.ar/index.php/ihs/article/view/27671
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Sumario:From a mortuary mask began to paint portraits of St. Ignatius in Europe, until he began to draw a series about the most important events of his life. We present this news to reach the Rubens models that were the ones that ultimately prevailed and influenced the whole world to start a classic iconography, whose background and subsequent development featured prominent artists, not only in Europe but also in America.