The Parody of Books of Chivalry and of their Censors in Quixote
This article aims mainly at analyzing the parody of books of chivalry and of their censors in Quixote considering how ethical and aesthetic issues take part in the parody construction. By emphasizing knights and reading as analytical axes, the article has as its secondary objectives to gather inform...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39662 |
| Aporte de: |
| Sumario: | This article aims mainly at analyzing the parody of books of chivalry and of their censors in Quixote considering how ethical and aesthetic issues take part in the parody construction. By emphasizing knights and reading as analytical axes, the article has as its secondary objectives to gather information on the historical existence of knights-errant; the origin and tradition of chivalric romance in Europe and Spain in the 16th and 17th centuries; the structuring of new categories of reading and readers; as well as that period intellectuals’ concerns in this regard. It expects to demonstrate that, by means of books of chivalry, parody, and of their censors, Cervantes formulates a praise for fiction.
|
|---|