Faust and Facundo, tragedy and identity
Throughout the article, it is shown how some of the theoretical approaches that Marshall Berman wields in his book All that is Solid Melts into Air (1982), to analyze Faust (1808 and 1832), by Johann Wolfgang von Goethe, enrich the reading of Facundo (1845), by Domingo Faustino Sarmiento. Above all,...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39658 |
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I10-R337-article-396582023-05-31T00:26:18Z Faust and Facundo, tragedy and identity Fausto y Facundo, tragedia e identidad Burneo Barreto, Raúl Antonio Sarmiento Goethe Facundo Fausto Berman modernity tragedy identity development Sarmiento Goethe Facundo Fausto Berman modernidad tragedia identidad desarrollo Throughout the article, it is shown how some of the theoretical approaches that Marshall Berman wields in his book All that is Solid Melts into Air (1982), to analyze Faust (1808 and 1832), by Johann Wolfgang von Goethe, enrich the reading of Facundo (1845), by Domingo Faustino Sarmiento. Above all, because these approaches allow deepening and expanding interpretations already disclosed about this last book by various authors such as Roberto Gonzalez Echevarria, Noe Jitrik, Silvia Molloy and others. These theoretical scopes refer to the dialectical character of modernity and, therefore, to the high price that must be paid to achieve it; hence Berman speaks of the tragedy of modernity; likewise, they allude to the traits that make up the identity of the hero of modern times, and, finally, they show how this hero embodies a colossal development project that is carried out from a center of power and is sustained by industry, commerce, technology, financial investment, and legal and political transformation. In this sense, the article also uses, as an interpretative tool for analyzing Facundo, the notion of self-fashioning coined by Stephen Greenblatt. A lo largo del artículo se muestra cómo algunos alcances teóricos que esgrime Marshall Berman, en su libro Todo lo sólido se desvanece en el aire (2011), para analizar el Fausto (1808 y 1832) de Johann Wolfgang von Goethe enriquecen la lectura del Facundo (1845) de Domingo Faustino Sarmiento. Sobre todo, porque permiten profundizar y expandir interpretaciones ya divulgadas sobre este último libro por diversos autores como Roberto González Echevarría, Noé Jitrik, Silvia Molloy y otros. Estos alcances teóricos hacen referencia al carácter dialéctico de la modernidad y, por ende, al alto precio en el que se debe incurrir por alcanzarla; de ahí que Berman hable de la tragedia de la modernidad; asimismo, aluden a los rasgos que conforman la identidad del héroe de la época moderna; y, finalmente, muestran cómo encarna en este héroe un proyecto descomunal de desarrollo que se lleva a cabo desde un centro de poder y que se sustenta en la industria, el comercio, la tecnología, la inversión financiera y la transformación legal y política. En ese sentido, el artículo también acude, como herramienta interpretativa del Facundo, a la noción de self-fashioning acuñada por Stephen Greenblatt. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2022-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39658 Revista de Culturas y Literaturas Comparadas; Núm. 13 (2022) 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39658/39812 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39658/39815 http://creativecommons.org/licenses/by-nc-nd/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-337 |
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Revista de Culturas y Literaturas Comparadas |
| language |
Español |
| format |
Artículo revista |
| topic |
Sarmiento Goethe Facundo Fausto Berman modernity tragedy identity development Sarmiento Goethe Facundo Fausto Berman modernidad tragedia identidad desarrollo |
| spellingShingle |
Sarmiento Goethe Facundo Fausto Berman modernity tragedy identity development Sarmiento Goethe Facundo Fausto Berman modernidad tragedia identidad desarrollo Burneo Barreto, Raúl Antonio Faust and Facundo, tragedy and identity |
| topic_facet |
Sarmiento Goethe Facundo Fausto Berman modernity tragedy identity development Sarmiento Goethe Facundo Fausto Berman modernidad tragedia identidad desarrollo |
| author |
Burneo Barreto, Raúl Antonio |
| author_facet |
Burneo Barreto, Raúl Antonio |
| author_sort |
Burneo Barreto, Raúl Antonio |
| title |
Faust and Facundo, tragedy and identity |
| title_short |
Faust and Facundo, tragedy and identity |
| title_full |
Faust and Facundo, tragedy and identity |
| title_fullStr |
Faust and Facundo, tragedy and identity |
| title_full_unstemmed |
Faust and Facundo, tragedy and identity |
| title_sort |
faust and facundo, tragedy and identity |
| description |
Throughout the article, it is shown how some of the theoretical approaches that Marshall Berman wields in his book All that is Solid Melts into Air (1982), to analyze Faust (1808 and 1832), by Johann Wolfgang von Goethe, enrich the reading of Facundo (1845), by Domingo Faustino Sarmiento. Above all, because these approaches allow deepening and expanding interpretations already disclosed about this last book by various authors such as Roberto Gonzalez Echevarria, Noe Jitrik, Silvia Molloy and others. These theoretical scopes refer to the dialectical character of modernity and, therefore, to the high price that must be paid to achieve it; hence Berman speaks of the tragedy of modernity; likewise, they allude to the traits that make up the identity of the hero of modern times, and, finally, they show how this hero embodies a colossal development project that is carried out from a center of power and is sustained by industry, commerce, technology, financial investment, and legal and political transformation. In this sense, the article also uses, as an interpretative tool for analyzing Facundo, the notion of self-fashioning coined by Stephen Greenblatt. |
| publisher |
Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39658 |
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