Solar y El día después de mañana, dos producciones del género clima ficción
The blurring of boundaries among genres and its ensuing hybrid narratives have been a key aspect of postmodernism in the literary sphere. A clear example in contemporary film and literary productions is the emergence of a new genre: cli-fi, i.e., climate fiction. This emerging genre explores climate...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2021
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/35764 |
| Aporte de: |
| Sumario: | The blurring of boundaries among genres and its ensuing hybrid narratives have been a key aspect of postmodernism in the literary sphere. A clear example in contemporary film and literary productions is the emergence of a new genre: cli-fi, i.e., climate fiction. This emerging genre explores climate change and its effects on the natural world at present and in the future. From this generic framework, I will examine Solar, a novel written by Ian McEwan and published in 2010, and The Day After Tomorrow, the 2004 science fiction disaster movie directed and produced by the German filmmaker Roland Emmerich. |
|---|