American Space and European Theory. Dialogd in Literature and Painting
Primarily, the article approaches Alejo Carpentier’s poetics understood as the result of processes of transculturation that incorporate the author’s transoceanic contacts with the European avant garde movements, mainly French surrealism, and anthropology. Secondly, the analysis considers the paintin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2016
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/16387 |
| Aporte de: |
| Sumario: | Primarily, the article approaches Alejo Carpentier’s poetics understood as the result of processes of transculturation that incorporate the author’s transoceanic contacts with the European avant garde movements, mainly French surrealism, and anthropology. Secondly, the analysis considers the paintings produced by Wilfredo Lam in the 1940’s following the principles of Carpentier’s magic realism and next compares them with Jackson Pollock’s production of the 1930’s and 1940’s. Both Lam’s and Pollock’s work shows processes of transculturation in which Carl Jung’s deep psychology, as well as surrealism and cubism, are essential constitutive elements. |
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