Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza

In this work I start from the concept "geological writings" (2022) proposed by the Mexican writer Cristina Rivera Garza (1964) to link it with the notions of the land, territoriality, displacements and rewritings of the past and its impact on the present in the Mexican novels Desierto sono...

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Autor principal: Bianchi, Paula Daniela
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
desert;
borderland;
Latin American literature;
migrations;
geological writings
desierto;
fronteras;
literatura latinoamericana;
migraciones;
escrituras
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45396
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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spelling I10-R333-article-453962024-06-25T02:22:23Z Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza Lazos con el pasado desde el presente en Desierto sonoro de Valeria Luiselli y Autobiografía del algodón de Cristina Rivera Garza Bianchi, Paula Daniela desert; borderland; Latin American literature; migrations; geological writings desierto; fronteras; literatura latinoamericana; migraciones; escrituras In this work I start from the concept "geological writings" (2022) proposed by the Mexican writer Cristina Rivera Garza (1964) to link it with the notions of the land, territoriality, displacements and rewritings of the past and its impact on the present in the Mexican novels Desierto sonoro (2019), by Valeria Luiselli (1983) and Autobiografía del algodón (2020), by Cristina Rivera Garza. The rewritings of official discourses and personal and collective histories, of other ways of living and letting oneself be inhabited by the landscapes embedded in the land and by the affections generated by belonging, the right to reside and to stay become fundamental in these geological writings. The borderland in relation to traces and residence as the right to belong is redefined with a record endowed with new meanings so as not to be erased from the map, nor to be from a place that does not appear on it. In these fictions there is a progressive impulse to fictionalize experiences that, based on the translation and rewriting of the official discourses of a revisited history, create creative fictions of the present that redefine the past with the right to stay. En este trabajo parto del concepto “escrituras geológicas” (2022) propuesto por la escritora mexicana Cristina Rivera Garza (1964) para vincularlo con las nociones de la tierra, la territorialidad, los desplazamientos y las reescrituras del pasado y sus incidencias en el presente en las novelas mexicanas Desierto sonoro (2019), de Valeria Luiselli (1983) y Autobiografía del algodón (2020), de Cristina Rivera Garza. Las reescrituras de los discursos oficiales y de las historias personales y colectivas, de otros modos de habitar y de dejarse habitar por los paisajes enclavados en la tierra y por los afectos que genera la pertenencia, el derecho a residir y a quedarse se tornan fundamentales en estas escrituras geológicas. La frontera en relación con las huellas y con la residencia como derecho a pertenecer se redefine con un registro dotado de nuevas significaciones para no ser borrados del mapa, ni ser de un lugar que no figure en él. En estas ficciones se observa un progresivo impulso por ficcionalizar experiencias que a partir de la traducción y de la reescritura de los discursos oficiales de una historia revisitada se instauran ficciones creativas del presente que resignifican el pasado con el derecho a quedarse. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-06-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45396 Heterotopías; Vol. 7 No. 13 (2024): Writings on the edge of the abyss: How is the present constructed? Heterotopías; Vol. 7 Núm. 13 (2024): Escrituras al borde del abismo. ¿Cómo se construye el presente? 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45396/45359 Derechos de autor 2024 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic desert;
borderland;
Latin American literature;
migrations;
geological writings
desierto;
fronteras;
literatura latinoamericana;
migraciones;
escrituras
spellingShingle desert;
borderland;
Latin American literature;
migrations;
geological writings
desierto;
fronteras;
literatura latinoamericana;
migraciones;
escrituras
Bianchi, Paula Daniela
Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
topic_facet desert;
borderland;
Latin American literature;
migrations;
geological writings
desierto;
fronteras;
literatura latinoamericana;
migraciones;
escrituras
author Bianchi, Paula Daniela
author_facet Bianchi, Paula Daniela
author_sort Bianchi, Paula Daniela
title Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
title_short Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
title_full Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
title_fullStr Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
title_full_unstemmed Links with the past from the present in Desierto sonoro by Valeria Luiselli and Autobiografía del algodón by Cristina Rivera Garza
title_sort links with the past from the present in desierto sonoro by valeria luiselli and autobiografía del algodón by cristina rivera garza
description In this work I start from the concept "geological writings" (2022) proposed by the Mexican writer Cristina Rivera Garza (1964) to link it with the notions of the land, territoriality, displacements and rewritings of the past and its impact on the present in the Mexican novels Desierto sonoro (2019), by Valeria Luiselli (1983) and Autobiografía del algodón (2020), by Cristina Rivera Garza. The rewritings of official discourses and personal and collective histories, of other ways of living and letting oneself be inhabited by the landscapes embedded in the land and by the affections generated by belonging, the right to reside and to stay become fundamental in these geological writings. The borderland in relation to traces and residence as the right to belong is redefined with a record endowed with new meanings so as not to be erased from the map, nor to be from a place that does not appear on it. In these fictions there is a progressive impulse to fictionalize experiences that, based on the translation and rewriting of the official discourses of a revisited history, create creative fictions of the present that redefine the past with the right to stay.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45396
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first_indexed 2024-09-03T21:10:22Z
last_indexed 2024-09-03T21:10:22Z
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