Editorial note
This volume includes, in addition to the free articles and reviews, two textual bodies that suture a significant group of collaborations. On the one hand, "Discourses, representations and appropriations of the contemporary city. A look at urban habitation", a dossier coordinated by archite...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43627 |
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| Sumario: | This volume includes, in addition to the free articles and reviews, two textual bodies that suture a significant group of collaborations. On the one hand, "Discourses, representations and appropriations of the contemporary city. A look at urban habitation", a dossier coordinated by architects Dr. María Cecilia Marengo and Dr. Miriam Liborio, from the Habitat and Housing Research Institute (INVIHAB) of the National University of Córdoba, and whose axis was jointly defined almost a year and a half ago. On the other, the body of writings around "Inscriptions of the catastrophe", a node that skirts from the margins to circumvent -not without difficulty- the logic of commemorations; to situate and surround, as non-closable and non-exhaustive landmarks, the signatures of the dictatorship in our sociodiscursive archive of Argentine democracy; a vector that gives this issue its character of special issue, marking the different sections - corpus of articles and essays; also the text by Elvira Arnoux in the homage to Noé Jitrik, the mirror interviews by Nora Zaga to Laura Devetach and the one by Laura Fobbio to Nora Zaga herself; selected reviews that make up the issue and, in addition, the inaugural opening of "Texturas", a new section in which we publish "Los pasos de Paloma", by Patricia Zangaro, about Paloma Alonso, curated by Laura Fobbio in dialogue with the author and with Mercedes Alonso, Paloma's sister, for whom the work was written. We can only thank both of them for the generous and careful cession of the hitherto unpublished text, and Laura for her loving embroidery of voices, intertextuality of writings and montage of photographs. |
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