Sensitive force in the patagonian mallines
The present article is an inquiry into the sensitive force that is configured in the fluvial prints made by the Argentinean artist Teresa Pereda in the wetlands of Patagonia. I seek to argue that, under a logic of immersion, which reconfigures the coordinates of the aesthetic gesture, these papers t...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39773 |
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I10-R333-article-397732022-12-19T12:36:53Z Sensitive force in the patagonian mallines Fuerza sensible en los mallines patagónicos Robles de la Pava, Juliana non-modern aesthetics political ecology materialism estética no moderna ecología política materialismos The present article is an inquiry into the sensitive force that is configured in the fluvial prints made by the Argentinean artist Teresa Pereda in the wetlands of Patagonia. I seek to argue that, under a logic of immersion, which reconfigures the coordinates of the aesthetic gesture, these papers trace a form of action in which unexpected alliances weave a material imaginary that attends to an organic and mineral universe rather than a human one. In turn, I postulate that by means of operations and movements that escape conscious intervention, these impressions manifest an aesthetic-politics of the material-fluvial in which the non-identity force of sensitive practices is re(inscribed). To support these ideas, I use in this article a contemporary theoretical constellation that attends to the material and aesthetic efficacy of all that exists in order to point out the importance of the aesthetic-artistic productions in the configuration of a political ecology. El presente artículo se detiene en una indagación sobre la fuerza sensible que se configura en la serie Impresiones de la tierra realizada por la artista argentina Teresa Pereda en los humedales de la Patagonia. Busco sostener que bajo una lógica de la inmersión propuesta en esta serie se reconfiguran las coordenadas del gesto estético moderno. Estos papeles trazan una modalidad de acción en la cual las alianzas inesperadas tejen un imaginario material que atiende a un universo orgánico y mineral más que humano. A su vez, postulo que por medio de operaciones y movimientos que escapan a una intervención consciente, estas impresiones manifiestan una estética-política de lo material-fluvial en la cual se re(inscribe) la fuerza no identitaria de las prácticas sensibles. Para sostener estas ideas me valgo en este trabajo de una constelación teórica contemporánea que atiende a la eficacia material y estética de todo lo existente con el objetivo de señalar la importancia de las producciones estético-artísticas en la configuración de una ecología política. Facultad de Filosofía y Humanidades. Escuela de Letras 2022-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39773 Heterotopías; Vol. 5 No. 10 (2022): River matter. Aesthetic-political configurations of American watersheds.; 165-182 Heterotopías; Vol. 5 Núm. 10 (2022): Materia fluvial. Configuraciones estético-políticas de las cuencas de América; 165-182 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39773/39899 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
non-modern aesthetics political ecology materialism estética no moderna ecología política materialismos |
| spellingShingle |
non-modern aesthetics political ecology materialism estética no moderna ecología política materialismos Robles de la Pava, Juliana Sensitive force in the patagonian mallines |
| topic_facet |
non-modern aesthetics political ecology materialism estética no moderna ecología política materialismos |
| author |
Robles de la Pava, Juliana |
| author_facet |
Robles de la Pava, Juliana |
| author_sort |
Robles de la Pava, Juliana |
| title |
Sensitive force in the patagonian mallines |
| title_short |
Sensitive force in the patagonian mallines |
| title_full |
Sensitive force in the patagonian mallines |
| title_fullStr |
Sensitive force in the patagonian mallines |
| title_full_unstemmed |
Sensitive force in the patagonian mallines |
| title_sort |
sensitive force in the patagonian mallines |
| description |
The present article is an inquiry into the sensitive force that is configured in the fluvial prints made by the Argentinean artist Teresa Pereda in the wetlands of Patagonia. I seek to argue that, under a logic of immersion, which reconfigures the coordinates of the aesthetic gesture, these papers trace a form of action in which unexpected alliances weave a material imaginary that attends to an organic and mineral universe rather than a human one. In turn, I postulate that by means of operations and movements that escape conscious intervention, these impressions manifest an aesthetic-politics of the material-fluvial in which the non-identity force of sensitive practices is re(inscribed). To support these ideas, I use in this article a contemporary theoretical constellation that attends to the material and aesthetic efficacy of all that exists in order to point out the importance of the aesthetic-artistic productions in the configuration of a political ecology. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39773 |
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AT roblesdelapavajuliana sensitiveforceinthepatagonianmallines AT roblesdelapavajuliana fuerzasensibleenlosmallinespatagonicos |
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2024-09-03T21:10:00Z |
| last_indexed |
2024-09-03T21:10:00Z |
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