Sensitive force in the patagonian mallines
The present article is an inquiry into the sensitive force that is configured in the fluvial prints made by the Argentinean artist Teresa Pereda in the wetlands of Patagonia. I seek to argue that, under a logic of immersion, which reconfigures the coordinates of the aesthetic gesture, these papers t...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39773 |
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| Sumario: | The present article is an inquiry into the sensitive force that is configured in the fluvial prints made by the Argentinean artist Teresa Pereda in the wetlands of Patagonia. I seek to argue that, under a logic of immersion, which reconfigures the coordinates of the aesthetic gesture, these papers trace a form of action in which unexpected alliances weave a material imaginary that attends to an organic and mineral universe rather than a human one. In turn, I postulate that by means of operations and movements that escape conscious intervention, these impressions manifest an aesthetic-politics of the material-fluvial in which the non-identity force of sensitive practices is re(inscribed). To support these ideas, I use in this article a contemporary theoretical constellation that attends to the material and aesthetic efficacy of all that exists in order to point out the importance of the aesthetic-artistic productions in the configuration of a political ecology. |
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