Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers

This article confronts the problems affecting the contemporary hydrosphere by proposing the global need to fairer, more empathic and sustainable water cultures. The objectives of the text are: 1. Theorize the hydrocommons as a conceptual framework for curatorial practices that can contribute to this...

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Autor principal: Blackmore, Lisa
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2022
Materias:
hydrocommons
rivers
curating
interdisciplinary
environmental humanities
lo hidrocomún
ríos
curaduría
interdisciplinareidad
humanidades ambientales
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39748
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic hydrocommons
rivers
curating
interdisciplinary
environmental humanities
lo hidrocomún
ríos
curaduría
interdisciplinareidad
humanidades ambientales
spellingShingle hydrocommons
rivers
curating
interdisciplinary
environmental humanities
lo hidrocomún
ríos
curaduría
interdisciplinareidad
humanidades ambientales
Blackmore, Lisa
Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
topic_facet hydrocommons
rivers
curating
interdisciplinary
environmental humanities
lo hidrocomún
ríos
curaduría
interdisciplinareidad
humanidades ambientales
author Blackmore, Lisa
author_facet Blackmore, Lisa
author_sort Blackmore, Lisa
title Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
title_short Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
title_full Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
title_fullStr Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
title_full_unstemmed Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers
title_sort imagining hydrcommons cultures: interdisciplinary research and curatorial practices between rivers
description This article confronts the problems affecting the contemporary hydrosphere by proposing the global need to fairer, more empathic and sustainable water cultures. The objectives of the text are: 1. Theorize the hydrocommons as a conceptual framework for curatorial practices that can contribute to this task by creating public platforms that depart from artistic practices, interdisciplinary research, and engagement activities; 2. Demonstrate through curatorial projects by the international network entre—ríos how these principles have informed artist residencies and collaborative processes. The methodology comprises a discussion of “liquid ecologies” (Blackmore & Gómez, 2020) as a critical tool to think the entanglements of bodies of water with diverse historical and contemporary forms of ecological degradation, socioenvironmental conflicts and cognitive injustice. Next, it proposes the “hydrocommons” as a term capable of coining and imagining more conscientious and empathic dynamics and ways of relating through water, through an assemblage of multidisciplinary perspectives that sociopolitical, epistemological, legal, and aesthetic dimensions to this emergent critical-imaginative a language. The second part of the article explains how the curatorial hypotheses of entre—ríos emerged out of my research into “hydropower” and the hydrocommons, the curatorial turn toward ecological agendas, and artist residency projects I organised at the University of Essex. Finally, the article describes two collaborative curatorial projects by entre—ríos to detail in situ and digital dynamics activated to instigate critical and sensory connections to the problematics shaping bodies of water in Latin America. The article closes with a brief overview of the conceptual cornerstones of hydrocommons cultures and a reflection on challenges facing this emerging field.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2022
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39748
work_keys_str_mv AT blackmorelisa imagininghydrcommonsculturesinterdisciplinaryresearchandcuratorialpracticesbetweenrivers
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first_indexed 2024-09-03T21:09:56Z
last_indexed 2024-09-03T21:09:56Z
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spelling I10-R333-article-397482022-12-19T12:37:19Z Imagining Hydrcommons Cultures: Interdisciplinary Research and Curatorial Practices Between Rivers Imaginando culturas hidrocomunes: investigaciones interdisciplinares y prácticas curatoriales entre ríos Blackmore, Lisa hydrocommons rivers curating interdisciplinary environmental humanities lo hidrocomún ríos curaduría interdisciplinareidad humanidades ambientales This article confronts the problems affecting the contemporary hydrosphere by proposing the global need to fairer, more empathic and sustainable water cultures. The objectives of the text are: 1. Theorize the hydrocommons as a conceptual framework for curatorial practices that can contribute to this task by creating public platforms that depart from artistic practices, interdisciplinary research, and engagement activities; 2. Demonstrate through curatorial projects by the international network entre—ríos how these principles have informed artist residencies and collaborative processes. The methodology comprises a discussion of “liquid ecologies” (Blackmore & Gómez, 2020) as a critical tool to think the entanglements of bodies of water with diverse historical and contemporary forms of ecological degradation, socioenvironmental conflicts and cognitive injustice. Next, it proposes the “hydrocommons” as a term capable of coining and imagining more conscientious and empathic dynamics and ways of relating through water, through an assemblage of multidisciplinary perspectives that sociopolitical, epistemological, legal, and aesthetic dimensions to this emergent critical-imaginative a language. The second part of the article explains how the curatorial hypotheses of entre—ríos emerged out of my research into “hydropower” and the hydrocommons, the curatorial turn toward ecological agendas, and artist residency projects I organised at the University of Essex. Finally, the article describes two collaborative curatorial projects by entre—ríos to detail in situ and digital dynamics activated to instigate critical and sensory connections to the problematics shaping bodies of water in Latin America. The article closes with a brief overview of the conceptual cornerstones of hydrocommons cultures and a reflection on challenges facing this emerging field. Este artículo responde a los problemas de la hidrósfera contemporánea planteando la necesidad global de imaginar culturas de agua más justas, empáticas y sostenibles. Los objetivos del texto son: 1. Teorizar lo hidrocomún (the hydrocommons) como marco conceptual para prácticas curatoriales que pueden contribuir a esta tarea al crear plataformas de encuentro a través de las prácticas artísticas, la investigación interdisciplinar, y actividades de socialización; 2. Demostrar a través de proyectos curatoriales de la red internacional entre—ríos cómo estos principios materializaron en residencias de artistas y procesos colaborativos. La metodología comprende el planteamiento de las “ecologías líquidas” (Blackmore y Gómez, 2020) como herramienta crítica para pensar los enmarañamientos de los cuerpos de agua con diversas formas de degradación ecológica, conflictos socioambientales e injusticia cognitiva históricas y contemporáneas. Luego propone “lo hidrocomún” como término capaz de acuñar e imaginar dinámicas y relaciones más conscientes y empáticas articuladas a través de las aguas, a partir del ensamblaje de enfoques multidisciplinares que ofrecen dimensiones sociopolíticas, epistemológicas, legales, y estéticas a ese lenguaje crítico-imaginativo emergente. La segunda parte del artículo explica cómo las hipótesis curatoriales de entre—ríos surgieron de mis investigaciones acerca del “hidropoder” y de lo hidrocomún, el giro curatorial hacia agendas ecológicas, y proyectos de residencia de artistas convocadas por la autora en la University of Essex. Finalmente, describe dos proyectos de colaboración curatorial de entre—ríos para detallar dinámicas presenciales y digitales puestas en acción para incentivar conexiones críticas y sensibles a las problemáticas que atraviesan los cuerpos de agua en América Latina. El artículo cierra con un resumen de los ejes conceptuales de las culturas hidrocomunes y una reflexión sobre los desafíos para ese campo emergente. Facultad de Filosofía y Humanidades. Escuela de Letras 2022-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39748 Heterotopías; Vol. 5 No. 10 (2022): River matter. Aesthetic-political configurations of American watersheds.; 43-72 Heterotopías; Vol. 5 Núm. 10 (2022): Materia fluvial. Configuraciones estético-políticas de las cuencas de América; 43-72 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39748/39882 https://creativecommons.org/licenses/by-nc-sa/4.0

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