Montage (comeback) between foots, words and dust

Our work considers the progress of mega-mining in the Chubut province, starting from a figure that challenges, provokes and breaks apart: Specular(Ludmer, 2010). Our reading opens between the Esquel Mining Project and the Christmas Project, to think about the invention and specular investment of fig...

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Autor principal: Marin, Marcela Cecilia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2018
Materias:
mega-mining
specular
between
figurant communities
Megaminería
especular
entre
comunidades figurantes
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22644
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
id I10-R333-article-22644
record_format ojs
spelling I10-R333-article-226442019-12-27T16:19:07Z Montage (comeback) between foots, words and dust Remontar entre pies, palabra y polvo Marin, Marcela Cecilia mega-mining specular between figurant communities Megaminería especular entre comunidades figurantes Our work considers the progress of mega-mining in the Chubut province, starting from a figure that challenges, provokes and breaks apart: Specular(Ludmer, 2010). Our reading opens between the Esquel Mining Project and the Christmas Project, to think about the invention and specular investment of figurative communities exposed to their appearance/disappearance. Our archive practice opens between 2003 and 2014. These temporalities make us see and say, speculatively, a file of culture and a file of barbarism. It is time that opens between exceptions. Faced with a State of Exception that has become a rule, resistance work also consists in producing a "true state of exception"(Benjamin, 1973) From this audiovisual archive, survivor and disjunctive, this work goes back anachronically and rhythmically from approaching and stressing certain ways of seeing and saying.  Our work to assemble part of fragments, surviving documents-monuments, that interrogate ways of (dis)appearance and figuration to which communities are exposed in and between montages, consensual and dissensual (García, 2017) (Didi Huberman, 2014) (Vauday, 2009). Nuestro trabajo parte de considerar el avance del extractivismo megaminero en la provincia de Chubut, a partir de una figura que interpela, provoca y se parte: Lo especular (Ludmer, 2010). En este sentido, nuestra lectura se abre entre el Proyecto Minero Cordón de Esquel y el Proyecto Navidad, para pensar la invención e inversión especular de comunidades  figurantes expuestas a su (des)aparición. Nuestra práctica de archivo se abre entre 2003 y 2014. El recorte producido abre temporalidades que hacen visible y decible, especularmente, un archivo de cultura y un archivo de barbarie. Es tiempo que se abre entre excepciones. Frente a un Estado de Excepción devenido en regla, el trabajo de resistencia consiste también en producir un “verdadero estado de excepción” (Benjamin, 1973) A partir de este archivo audiovisual, superviviente y disyuntivo, nuestro trabajo busca abrirse y remontarse anacrónica y rítmicamente a partir del gesto de acercarnos y tensionar ciertas visibilidades y decibilidades. En este sentido, nuestro trabajo de montar parte de fragmentos -documentos monumentos supervivientes- que interrogan modos de (des)aparición y figuración a la que están expuestas comunidades en y entre montajes, consensuales y disensuales (García, 2017) (Didí Huberman, 2014) (Vauday, 2009). Facultad de Filosofía y Humanidades. Escuela de Letras 2018-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22644 Heterotopías; Vol. 1 No. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción Heterotopías; Vol. 1 Núm. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22644/22398 Derechos de autor 2018 Heterotopías
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic mega-mining
specular
between
figurant communities
Megaminería
especular
entre
comunidades figurantes
spellingShingle mega-mining
specular
between
figurant communities
Megaminería
especular
entre
comunidades figurantes
Marin, Marcela Cecilia
Montage (comeback) between foots, words and dust
topic_facet mega-mining
specular
between
figurant communities
Megaminería
especular
entre
comunidades figurantes
author Marin, Marcela Cecilia
author_facet Marin, Marcela Cecilia
author_sort Marin, Marcela Cecilia
title Montage (comeback) between foots, words and dust
title_short Montage (comeback) between foots, words and dust
title_full Montage (comeback) between foots, words and dust
title_fullStr Montage (comeback) between foots, words and dust
title_full_unstemmed Montage (comeback) between foots, words and dust
title_sort montage (comeback) between foots, words and dust
description Our work considers the progress of mega-mining in the Chubut province, starting from a figure that challenges, provokes and breaks apart: Specular(Ludmer, 2010). Our reading opens between the Esquel Mining Project and the Christmas Project, to think about the invention and specular investment of figurative communities exposed to their appearance/disappearance. Our archive practice opens between 2003 and 2014. These temporalities make us see and say, speculatively, a file of culture and a file of barbarism. It is time that opens between exceptions. Faced with a State of Exception that has become a rule, resistance work also consists in producing a "true state of exception"(Benjamin, 1973) From this audiovisual archive, survivor and disjunctive, this work goes back anachronically and rhythmically from approaching and stressing certain ways of seeing and saying.  Our work to assemble part of fragments, surviving documents-monuments, that interrogate ways of (dis)appearance and figuration to which communities are exposed in and between montages, consensual and dissensual (García, 2017) (Didi Huberman, 2014) (Vauday, 2009).
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2018
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22644
work_keys_str_mv AT marinmarcelacecilia montagecomebackbetweenfootswordsanddust
AT marinmarcelacecilia remontarentrepiespalabraypolvo
first_indexed 2024-09-03T21:09:08Z
last_indexed 2024-09-03T21:09:08Z
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