Montage (comeback) between foots, words and dust
Our work considers the progress of mega-mining in the Chubut province, starting from a figure that challenges, provokes and breaks apart: Specular(Ludmer, 2010). Our reading opens between the Esquel Mining Project and the Christmas Project, to think about the invention and specular investment of fig...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22644 |
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| Sumario: | Our work considers the progress of mega-mining in the Chubut province, starting from a figure that challenges, provokes and breaks apart: Specular(Ludmer, 2010). Our reading opens between the Esquel Mining Project and the Christmas Project, to think about the invention and specular investment of figurative communities exposed to their appearance/disappearance. Our archive practice opens between 2003 and 2014. These temporalities make us see and say, speculatively, a file of culture and a file of barbarism. It is time that opens between exceptions. Faced with a State of Exception that has become a rule, resistance work also consists in producing a "true state of exception"(Benjamin, 1973) From this audiovisual archive, survivor and disjunctive, this work goes back anachronically and rhythmically from approaching and stressing certain ways of seeing and saying. Our work to assemble part of fragments, surviving documents-monuments, that interrogate ways of (dis)appearance and figuration to which communities are exposed in and between montages, consensual and dissensual (García, 2017) (Didi Huberman, 2014) (Vauday, 2009). |
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