Declassification of secret archives: politics and police in the becoming of human rights.
Starting from the phenomenon of declassification of secret files associated with violence on human rights, we are interested in observing some cases of declassification debated between two types: state policies, Chile Declassification Project (1999); and community micropolitics derived from art, Des...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22642 |
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| Sumario: | Starting from the phenomenon of declassification of secret files associated with violence on human rights, we are interested in observing some cases of declassification debated between two types: state policies, Chile Declassification Project (1999); and community micropolitics derived from art, Desclasificación Popular (2014). Considering the secret dimension of these archives, as well as the historical-political problem that they reveal, these cases will be relevant to us to examine the aesthetic regime of declassification, whose strange dimension we will address through the categories proposed by Rancière, such as the politics and the police. |
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