Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies

The article proposes a reflection based on different literary works from science fiction, to establish an analysis focused on the tension between the biotechnological field and human subjectivity. Focusing on two works by James Graham Ballard, the iconic short story collection Vermilion San...

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Detalles Bibliográficos
Autor principal: Humphreys, Franziska
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024
Materias:
Sci-fi
Cronenberg
Cinema
World
Post-gender
Ciencia ficción
Cine
Mundo
Postgénero
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45762
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba
id I10-R324-article-45762
record_format ojs
spelling I10-R324-article-457622024-07-29T18:37:09Z Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies Metales hipersónicos, mujeres-insecto cantantes, orquídeas sinfónicas. Cuerpos híbridos en Vermilion Sands Humphreys, Franziska Sci-fi Cronenberg Cinema World Post-gender Ciencia ficción Cronenberg Cine Mundo Postgénero The article proposes a reflection based on different literary works from science fiction, to establish an analysis focused on the tension between the biotechnological field and human subjectivity. Focusing on two works by James Graham Ballard, the iconic short story collection Vermilion Sands and his novel Crash, the author presents an intertext with film and literature. Based on a dialogue with the filmic version of Crash, directed in 1996 by David Cronenberg, and with the critical work of Donna Haraway, she introduces a hypothesis related to both the dimension of corporality and gender aspects in fictional narratives. El artículo propone una reflexión a partir de distintas obras literarias provenientes de la ciencia ficción, para establecer un análisis centrado en la tensión entre el campo biotecnológico y la subjetividad humana. Con el foco en dos obras de James Graham Ballard, la emblemática colección de relatos cortos Vermilion Sands y su novela Crash, la autora presenta un intertexto entre el cine y la literatura. A partir de un diálogo con la versión cinematográfica de Crash, dirigida en 1996 por David Cronenberg y con la obra crítica de Donna Haraway, introduce una hipótesis atinente tanto a la dimensión de la corporalidad como a aspectos de género en las narrativas ficcionales. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024-07-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45762 10.31056/2250.5415.v14.n2.45762 Ética y Cine Journal; Vol. 14 Núm. 2 (2024): Puesta en abismo; 85-92 2250-5415 2250-5660 10.31056/2250.5415.v14.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45762/45892 Derechos de autor 2024 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Sci-fi
Cronenberg
Cinema
World
Post-gender
Ciencia ficción
Cronenberg
Cine
Mundo
Postgénero
spellingShingle Sci-fi
Cronenberg
Cinema
World
Post-gender
Ciencia ficción
Cronenberg
Cine
Mundo
Postgénero
Humphreys, Franziska
Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
topic_facet Sci-fi
Cronenberg
Cinema
World
Post-gender
Ciencia ficción
Cronenberg
Cine
Mundo
Postgénero
author Humphreys, Franziska
author_facet Humphreys, Franziska
author_sort Humphreys, Franziska
title Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
title_short Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
title_full Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
title_fullStr Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
title_full_unstemmed Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies
title_sort hypersonic metals, singing insect women, symphonic orchids. hybrid bodies
description The article proposes a reflection based on different literary works from science fiction, to establish an analysis focused on the tension between the biotechnological field and human subjectivity. Focusing on two works by James Graham Ballard, the iconic short story collection Vermilion Sands and his novel Crash, the author presents an intertext with film and literature. Based on a dialogue with the filmic version of Crash, directed in 1996 by David Cronenberg, and with the critical work of Donna Haraway, she introduces a hypothesis related to both the dimension of corporality and gender aspects in fictional narratives.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2024
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45762
work_keys_str_mv AT humphreysfranziska hypersonicmetalssinginginsectwomensymphonicorchidshybridbodies
AT humphreysfranziska metaleshipersonicosmujeresinsectocantantesorquideassinfonicascuerposhibridosenvermilionsands
first_indexed 2024-09-03T20:51:58Z
last_indexed 2025-02-05T22:04:48Z
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