Psychoanalytic notes on memory in first-person documentary cinema

This paper seeks to make some remarks on the theoretical impressions that psychoanalysis has developed on memory, insofar as it has an affinity with the unconscious. This with the purpose of expanding the referential framework in which first-person documentary filmmakers work, since a large number o...

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Detalles Bibliográficos
Autores principales: Hernández Arreygue, Juan Carlos, Jacobo Jacobo, Martín
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024
Materias:
psychoanalysis
first-person documentary film
documentary film
memory
unconscious
psicoanálisis
cine documental en primera persona
cine documental
memoria
inconsciente
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44633
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba

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