La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano
The present work proposes a reading of the human-nature relationship in the film developed by the Japanese director Hayao Miyazaki: Nausicaä of the Valley of the Wind, through the Confucian principle of harmony, expanding the way in which the role of the moral agent in Miyazaki’s work has been under...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/37377 |
| Aporte de: |
| Sumario: | The present work proposes a reading of the human-nature relationship in the film developed by the Japanese director Hayao Miyazaki: Nausicaä of the Valley of the Wind, through the Confucian principle of harmony, expanding the way in which the role of the moral agent in Miyazaki’s work has been understood in its relationship with nature. |
|---|