Cinema preview: America: The current trauma

Telupaï is a ten-year-old boy who lives in a town in the Andes mountains and wants to become a shaman. To this end, he and his friend Naïra embark on a journey through unexplored lands of stalking risks. They go in search of a lost totem that is of great ceremonial value to their people. Pachamama i...

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Autor principal: Amatriain, Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23896
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spelling I10-R324-article-238962019-08-03T21:21:34Z Cinema preview: America: The current trauma Anticipo cinematográfico: América: Lo actual del trauma Amatriain, Lucía Telupaï is a ten-year-old boy who lives in a town in the Andes mountains and wants to become a shaman. To this end, he and his friend Naïra embark on a journey through unexplored lands of stalking risks. They go in search of a lost totem that is of great ceremonial value to their people. Pachamama is that totem that protects them and has been confiscated by the Incas. This search takes the protagonists towards Cuzco, the capital of the empire, besieged by the conquerors, so that the conquest of the Incas and that of the Spaniards are juxtaposed there. To know more we must wait until June, when Pachamama premieres, the animated film by Argentine director Juan Antin. The film was presented in Paris in December 2018 and is nominated for the César Awards of French cinema as the best animated film. Netflix has acquired the rights of its distribution so a global audience is sponsored. Telupaï es un niño de diez años que vive en un pueblo en la cordillera de Los Andes y que anhela convertirse en chamán. Para ello emprende junto a su amiga Naïra un viaje por tierras inexploradas de riesgos acechantes. Van en busca de un tótem perdido que es de gran valor ceremonial para su pueblo. La Pachamama es ese tótem que los protege y que ha sido confiscado por los incas. Esta búsqueda lleva a los protagonistas hacia Cuzco, la capital del imperio, asediada por los conquistadores, de manera que allí se yuxtaponen la conquista de los incas y la de los españoles.Para saber más deberemos esperar a junio, cuando se estrene Pachamama, el film de animación del director argentino Juan Antin. La película se presentó en París en diciembre de 2018 y está nominada por los Premios César del cine francés como mejor film animado. Netflix ha adquirido los derechos de su distribución por lo que se auspicia una audiencia global. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2019-03-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23896 10.31056/2250.5415.v9.n1.23896 Ética y Cine Journal; Vol. 9 Núm. 1 (2019): Cine y trauma; 73-74 2250-5415 2250-5660 10.31056/2250.5415.v9.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23896/23438 Derechos de autor 2019 Ética&Cine Journal
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
author Amatriain, Lucía
spellingShingle Amatriain, Lucía
Cinema preview: America: The current trauma
author_facet Amatriain, Lucía
author_sort Amatriain, Lucía
title Cinema preview: America: The current trauma
title_short Cinema preview: America: The current trauma
title_full Cinema preview: America: The current trauma
title_fullStr Cinema preview: America: The current trauma
title_full_unstemmed Cinema preview: America: The current trauma
title_sort cinema preview: america: the current trauma
description Telupaï is a ten-year-old boy who lives in a town in the Andes mountains and wants to become a shaman. To this end, he and his friend Naïra embark on a journey through unexplored lands of stalking risks. They go in search of a lost totem that is of great ceremonial value to their people. Pachamama is that totem that protects them and has been confiscated by the Incas. This search takes the protagonists towards Cuzco, the capital of the empire, besieged by the conquerors, so that the conquest of the Incas and that of the Spaniards are juxtaposed there. To know more we must wait until June, when Pachamama premieres, the animated film by Argentine director Juan Antin. The film was presented in Paris in December 2018 and is nominated for the César Awards of French cinema as the best animated film. Netflix has acquired the rights of its distribution so a global audience is sponsored.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2019
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/23896
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