Towards a critique of the human sciences
This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political n...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2016
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16588 |
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| Sumario: | This article is intended to perform a reading of excerpts of the film Salò or the 120 Days of Sodom (1975) by Pier Paolo Pasolini, from a Foucaultian perspective. Basically, from the way Michel Foucault outlined the critical nature of their work, we will seek to problematize the inherent political nature to the production of knowledge concerning “human”, for which we will focus on the Pasolini’s film. |
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