DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS

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In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certa...

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Autor principal: Hernández Rodríguez, María Candelaria
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Avanzados 2018
Acceso en línea:https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134
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CONTRA | RELATOS desde el Sur de Universidad Nacional de Córdoba
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spelling I10-R311-article-201342021-11-10T20:42:14Z DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS Hernández Rodríguez, María Candelaria In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certain biographical circumstances. All in all, we aimto link here all the limitations that they found in their respective artisticpaths, it means, exposing their lives, something crucial in the pathtaken by each of them, from Peru in Latin America, via Canary Islandsuntil South Africa.To this purpose we find appropriate the feminist theory. Which theoryis now plural, heterogeneous, once the scheme has exceeded monolithicEurocentric, of the initial feminism new codes and change thehegemonic discourse. Opens the way for minorities in particular, weare interested in highlighting the importance of autobiography tolegitimize marginalized spaces, mostly in the domestic field. What wewant, taking into account diversity, is to meet the specific testimonyto trace the traits that unifies the experience of a Latin Americanpainter, one of the Canary Islands and Africa. Centro de Estudios Avanzados 2018-05-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134 CONTRA | RELATOS desde el Sur; Núm. 5-6 (2008); 35-48 2525-2011 1669-953X spa https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134/19795 Derechos de autor 2018 María Candelaria Hernández Rodríguez https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-311
container_title_str CONTRA | RELATOS desde el Sur
language Español
format Artículo revista
author Hernández Rodríguez, María Candelaria
spellingShingle Hernández Rodríguez, María Candelaria
DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
author_facet Hernández Rodríguez, María Candelaria
author_sort Hernández Rodríguez, María Candelaria
title DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_short DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_full DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_fullStr DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_full_unstemmed DESDE ÁFRICA A LATINOAMÉRICA: ENCUENTRO DIACRÓNICO DE MUJERES PINTORAS
title_sort desde áfrica a latinoamérica: encuentro diacrónico de mujeres pintoras
description In this article, we propose to explain a situation that presents somecomplexity because it refers to different levels, all of which are givenoff to relate the work of women painters which, despite being producedin different times and contexts such geographically distant betweenthem, they share certain biographical circumstances. All in all, we aimto link here all the limitations that they found in their respective artisticpaths, it means, exposing their lives, something crucial in the pathtaken by each of them, from Peru in Latin America, via Canary Islandsuntil South Africa.To this purpose we find appropriate the feminist theory. Which theoryis now plural, heterogeneous, once the scheme has exceeded monolithicEurocentric, of the initial feminism new codes and change thehegemonic discourse. Opens the way for minorities in particular, weare interested in highlighting the importance of autobiography tolegitimize marginalized spaces, mostly in the domestic field. What wewant, taking into account diversity, is to meet the specific testimonyto trace the traits that unifies the experience of a Latin Americanpainter, one of the Canary Islands and Africa.
publisher Centro de Estudios Avanzados
publishDate 2018
url https://revistas.unc.edu.ar/index.php/contra-relatos/article/view/20134
work_keys_str_mv AT hernandezrodriguezmariacandelaria desdeafricaalatinoamericaencuentrodiacronicodemujerespintoras
first_indexed 2024-09-05T14:25:23Z
last_indexed 2025-02-05T22:02:18Z
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