An analytical approach to Harold Gramatges's Mobile III
The study of the works belonging to the musical avant-garde of the 1960s is still a pending task for Musicology. This research carries out the musical analysis of Mobile III for flute and piano by the Cuban composer Harold Gramatges Leyte-Vidal (Santiago de Cuba, 1918-Havana, 2008), using the score,...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/41724 |
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I10-R310-article-41724 |
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I10-R310-article-417242025-03-28T18:32:17Z An analytical approach to Harold Gramatges's Mobile III Un acercamiento analítico al Móvil III de Harold Gramatges Guzmán Barrios, Rafael Gráficos Gramatges Cuba Vanguardia Análisis Móvil III Graphics Gramatges Cuba Avant-garde Analysis Móvil III The study of the works belonging to the musical avant-garde of the 1960s is still a pending task for Musicology. This research carries out the musical analysis of Mobile III for flute and piano by the Cuban composer Harold Gramatges Leyte-Vidal (Santiago de Cuba, 1918-Havana, 2008), using the score, sound recording and graphics specially generated for this work. With the aim of revealing and assessing the multiple elements that make up the musical discourse, two graphs were designed to help the reader fully understand the work by visualizing variables such as dynamics-intensity, registers, tempometry and timbre. These graphs are the result of the analyst's interpretation, and are not related to the visuality of the score being studied or the composer's comments during the interviews. The associations of timbres in colors, of intensities/tempos in lines, and of determined/indeterminate textures in geometric figures, helped the analyst to decode the sound discourse of Mobile III. El estudio de las obras pertenecientes a la vanguardia musical de los años sesenta es todavía una tarea pendiente de la Musicología. La presente investigación realiza el análisis musical del Móvil III para flauta y piano del compositor cubano Harold Gramatges Leyte-Vidal (Santiago de Cuba, 1918-La Habana, 2008), utilizando la partitura, el registro sonoro y los gráficos especialmente generados para este trabajo. Con el objetivo de develar y valorar los múltiples elementos que conforman el discurso musical, se diseñaron dos gráficos que ayudarán al lector a comprender integralmente la obra visualizando variables como la dinámica-intensidad, registros, tempo-métrica y timbre. Estos gráficos son el resultado de la interpretación del analista y no guardan relación con la visualidad de la partitura que se estudia o los comentarios del compositor durante las entrevistas realizadas. Las asociaciones de timbres en colores, de intensidades/tempos en líneas y de texturas determinadas/indeterminadas en figuras geométricas ayudaron al analista a decodificar el discurso sonoro del Móvil III. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41724 Avances; Núm. 32 (2023); 193-220 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41724/41843 https://revistas.unc.edu.ar/index.php/avances/article/view/41724/41876 https://revistas.unc.edu.ar/index.php/avances/article/view/41724/41877 Derechos de autor 2023 Rafael Guzmán Barrios https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Gráficos Gramatges Cuba Vanguardia Análisis Móvil III Graphics Gramatges Cuba Avant-garde Analysis Móvil III |
| spellingShingle |
Gráficos Gramatges Cuba Vanguardia Análisis Móvil III Graphics Gramatges Cuba Avant-garde Analysis Móvil III Guzmán Barrios, Rafael An analytical approach to Harold Gramatges's Mobile III |
| topic_facet |
Gráficos Gramatges Cuba Vanguardia Análisis Móvil III Graphics Gramatges Cuba Avant-garde Analysis Móvil III |
| author |
Guzmán Barrios, Rafael |
| author_facet |
Guzmán Barrios, Rafael |
| author_sort |
Guzmán Barrios, Rafael |
| title |
An analytical approach to Harold Gramatges's Mobile III |
| title_short |
An analytical approach to Harold Gramatges's Mobile III |
| title_full |
An analytical approach to Harold Gramatges's Mobile III |
| title_fullStr |
An analytical approach to Harold Gramatges's Mobile III |
| title_full_unstemmed |
An analytical approach to Harold Gramatges's Mobile III |
| title_sort |
analytical approach to harold gramatges's mobile iii |
| description |
The study of the works belonging to the musical avant-garde of the 1960s is still a pending task for Musicology. This research carries out the musical analysis of Mobile III for flute and piano by the Cuban composer Harold Gramatges Leyte-Vidal (Santiago de Cuba, 1918-Havana, 2008), using the score, sound recording and graphics specially generated for this work. With the aim of revealing and assessing the multiple elements that make up the musical discourse, two graphs were designed to help the reader fully understand the work by visualizing variables such as dynamics-intensity, registers, tempometry and timbre. These graphs are the result of the analyst's interpretation, and are not related to the visuality of the score being studied or the composer's comments during the interviews. The associations of timbres in colors, of intensities/tempos in lines, and of determined/indeterminate textures in geometric figures, helped the analyst to decode the sound discourse of Mobile III.
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| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/41724 |
| work_keys_str_mv |
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| first_indexed |
2024-09-03T20:28:51Z |
| last_indexed |
2025-05-10T05:09:20Z |
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