Looking from the margins/Filming from the slum: an analysis of César González´s films
César González's cinema can be defined —as himself does— as a "cine villero" (slum cinema), that is, as a cinema filmed from a place of enunciation that identifies with the space of the “villa”. From this position, Gonzalez proposes to break with certain stereotypes that dominate the...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/33513 |
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| Sumario: | César González's cinema can be defined —as himself does— as a "cine villero" (slum cinema), that is, as a cinema filmed from a place of enunciation that identifies with the space of the “villa”. From this position, Gonzalez proposes to break with certain stereotypes that dominate the representation of this space and the subjects who inhabit it. In this article we discuss the characteristics of this breakup and the consequences that it entails for thinking the political dimension of this filmography. |
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