Changos and Burritos. Local Inflections of a Social Art
This paper makes an approach to the local inflections of a social art in Córdoba during the ‘30s. The strategy is considering this problem through two cases. One is the analysis of a critical note written by Miguel Gómez Echea against bourgeois art. The other is to consider five art pieces made by L...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/33504 |
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| Sumario: | This paper makes an approach to the local inflections of a social art in Córdoba during the ‘30s. The strategy is considering this problem through two cases. One is the analysis of a critical note written by Miguel Gómez Echea against bourgeois art. The other is to consider five art pieces made by Lasansky and his pedagogical experience as a director in the Escuela Libre de Bellas Artes in Villa María. Both cases allow us to observe some tensions relative to the emergence of a social art in the local space. One as well as the other can be analysed in order to identify the particular inflections of the crucial issues that mark national and international debates on the matter in question. |
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