‘STILE ANTICO’ AND THE DISTRIBUTION OF THE AUDIBLE: SOUNDING WHAT IS ONLY THINKABLE

This paper proposes a philosophic interpretation of the breakup of stylistic unity (with its distinction between stile antico and stile moderno) of European and American Music in the 17th and 18th centuries, in terms of a “distribution of the sensible”, as proposed by Jacques Rancière. Within this f...

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Detalles Bibliográficos
Autor principal: Reccitelli, Lucas
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2020
Materias:
Stile Antico
reparto de lo sensible
Rancière
filosofía de la música
distribution of the sensible
philosophy of music
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/28743
Aporte de:
Avances de Universidad Nacional de Córdoba

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