THE PRECARIOUS. MATERIALIZING THE EMPTINESS OR THE DISAPPEARANCE
The aim of this presentation is to synthesize advances in my research as a doctoral fellow at the National University of La Plata. In particular, a series by the Chilean artist Cecilia Vicuña, The precarious, will be analyzed in light of Aby Warburg's concept of survival, specifically Georges D...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/28736 |
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| Sumario: | The aim of this presentation is to synthesize advances in my research as a doctoral fellow at the National University of La Plata. In particular, a series by the Chilean artist Cecilia Vicuña, The precarious, will be analyzed in light of Aby Warburg's concept of survival, specifically Georges Didi-Huberman’s approach to thinking about this way of operating as a possible contribution to decolonial theories. |
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