The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.

Usually, audiences consisting of people without musical training respond to the music created in “current” aesthetics with attitudes ranging from surprise to rejection. This is led by the simple fact that they do not understand its diverse logic. There are functionalities that a composer can use at...

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Autor principal: Moya Godoy, Edgard Guillermo
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021
Materias:
Contemporary Music
Perception
Composers
Música contemporánea
Percepción
Compositor
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/36288
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-36288
record_format ojs
spelling I10-R309-article-362882024-03-27T14:44:54Z The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture. ¿Por qué el tango? Una propuesta operativa para la composición a partir de los mecanismos perceptuales-cognitivos que genera el gesto musical. Moya Godoy, Edgard Guillermo Contemporary Music Perception Composers Música contemporánea Percepción Compositor Usually, audiences consisting of people without musical training respond to the music created in “current” aesthetics with attitudes ranging from surprise to rejection. This is led by the simple fact that they do not understand its diverse logic. There are functionalities that a composer can use at the time of the development of their discourse which can facilitate the audiences’ process of assimilation of this “new music”. It is probable that cognitive mechanisms will not only be a starting point to establish common principles to guide the musical experience, but that they will also effectively link composers with their future audiences. Comúnmente las audiencias conformadas por personas sin formación musical se posicionan frente a la música concebida en estéticas “actuales” con actitudes que van desde la sorpresa al rechazo, por el simple hecho de no entender sus diversas lógicas. Existen operatividades que el compositor puede poner en juego a la hora de construir su discurso, que facilitarán a estas audiencias el proceso de asimilación de estas “nuevas músicas”. Probablemente los mecanismos cognitivos no solo son un punto de partida para establecer principios comunes que guiarán la experiencia musical, sino lo que efectivamente relacione al compositor y sus potenciales audiencias. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/36288 Sendas; Vol. 4 (2021): Expanding boundaries between academic backgrounds; 141-154 Sendas; Vol. 4 (2021): Ampliando fronteras entre trayectorias académicas; 141-154 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/36288/36579 Derechos de autor 2021 Edgard Guillermo Moya Godoy https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Contemporary Music
Perception
Composers
Música contemporánea
Percepción
Compositor
spellingShingle Contemporary Music
Perception
Composers
Música contemporánea
Percepción
Compositor
Moya Godoy, Edgard Guillermo
The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
topic_facet Contemporary Music
Perception
Composers
Música contemporánea
Percepción
Compositor
author Moya Godoy, Edgard Guillermo
author_facet Moya Godoy, Edgard Guillermo
author_sort Moya Godoy, Edgard Guillermo
title The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
title_short The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
title_full The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
title_fullStr The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
title_full_unstemmed The Reason for Tango. A Functional Proposal for Composition Drawn from the Perceptual-cognitive Mechanisms Generated by the Musical Gesture.
title_sort reason for tango. a functional proposal for composition drawn from the perceptual-cognitive mechanisms generated by the musical gesture.
description Usually, audiences consisting of people without musical training respond to the music created in “current” aesthetics with attitudes ranging from surprise to rejection. This is led by the simple fact that they do not understand its diverse logic. There are functionalities that a composer can use at the time of the development of their discourse which can facilitate the audiences’ process of assimilation of this “new music”. It is probable that cognitive mechanisms will not only be a starting point to establish common principles to guide the musical experience, but that they will also effectively link composers with their future audiences.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/sendas/article/view/36288
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first_indexed 2024-09-03T20:28:13Z
last_indexed 2024-09-03T20:28:13Z
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