Authorship in Argentine serial fiction: Analysis of Bruno Stagnaro’s works
This work addresses reflections that arise from new audiovisual forms, mainly in the close contact between cinema and contemporary fictional series. The hypothesis is based on the extension stalled in film theory to certain productions, such as television, but which take cinema as a quality referenc...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2021
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/36252 |
| Aporte de: |
| Sumario: | This work addresses reflections that arise from new audiovisual forms, mainly in the close contact between cinema and contemporary fictional series. The hypothesis is based on the extension stalled in film theory to certain productions, such as television, but which take cinema as a quality reference. So we ask ourselves: Is it possible to adapt these concepts to new audiovisual forms? What is the scope of the concept of authorship? This work addresses the career of director Bruno Stagnaro, a film director with television work, offering the possibility of a study of his work in productions of different natures. |
|---|