In visu/in situ: considerations on painting without the usual apologies of the trade
This thesis is a commitment to painting in our Department of Visual Arts, but this does not imply that it is a blind defense in the name of the myths of great Art, as is often the case. On the contrary, it is a critical development (in a practical and theoretical sense) that trusts -even today- in t...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/26410 |
| Aporte de: |
| Sumario: | This thesis is a commitment to painting in our Department of Visual Arts, but this does not imply that it is a blind defense in the name of the myths of great Art, as is often the case. On the contrary, it is a critical development (in a practical and theoretical sense) that trusts -even today- in the strength of the reflection of certain practices. The text that we present here had its correlate in a series of paintings made with encaustic and tempera. |
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