The social gesture and the extra-daily body: An approach to stage construction
The following proposal accounts for the research process carried out in 2014/2015 by the UNC Bachelor of Theatre. In the same one we approach "the relation between the social gesture and the extra-daily body as procedure of scenic construction". We approach the social gesture as materialit...
Guardado en:
| Autores principales: | , , |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2019
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/26397 |
| Aporte de: |
| id |
I10-R309-article-26397 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R309-article-263972024-03-27T14:44:46Z The social gesture and the extra-daily body: An approach to stage construction El gesto social y el cuerpo extra-cotidiano: Un acercamiento a la construcción escénica Castaños Manavella, Lucía Garay, Victoria Rossetti, Ludmila Elizabeth social gesture extra-daily body dance-theatre gesto social cuerpo extra-cotidiano danza-teatro The following proposal accounts for the research process carried out in 2014/2015 by the UNC Bachelor of Theatre. In the same one we approach "the relation between the social gesture and the extra-daily body as procedure of scenic construction". We approach the social gesture as materiality that allows us to form an extra-daily body. The language chosen to carry out this is dance-theatre. It is the bodies and the gesture that allow us to establish stages of creation through which we pass in order to approach a scenic event. In this process, we perceive the influence of improvisation patterns and the singular resolution of the performers, which in turn are reflections of our theoretical research, crossed by concepts of anthropology, sociology, philosophy, dance and theatre. In addition, we realize how this relationship between the extra-daily body and the social gesture makes it possible to compose a stage show. On the other hand, we recognize the influence on the research process of the scenographic elements that compose the scene. La propuesta siguiente da cuenta del proceso de investigación llevado a cabo en 2014/2015 de la Licenciatura en Teatro de la UNC. En el mismo abordamos “la relación entre el gesto social y el cuerpo extra-cotidiano como procedimiento de construcción escénica. Abordamos el gesto social como materialidad que nos permite conformar un cuerpo extra-cotidiano. El lenguaje elegido para llevar a cabo esto es la danza-teatro. Son los cuerpos y el gesto los que nos permiten establecer etapas de creación por las que transitamos para abordar un hecho escénico. En este proceso percibimos la influencia de las pautas de improvisación y la resolución singular de las intérpretes, que a su vez son reflejos de nuestra investigación teórica, atravesada por conceptos de la antropología, la sociología, la filosofía, la danza y el teatro. Además, damos cuenta de cómo esta relación entre el cuerpo extra-cotidiano con el gesto social, posibilita la composición de un espectáculo escénico. Por otra parte, reconocemos la influencia en el proceso de investigación a los elementos escenotécnicos que componen la escena. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2019-11-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/26397 Sendas; Vol. 2 (2019): Making, thinking and writing; 10-25 Sendas; Vol. 2 (2019): Hacer, pensar y escribir; 10-25 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/26397/28163 Derechos de autor 2019 Lucía Castaños Manavella, Victoria Garay, Ludmila Elizabeth Rossetti https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-309 |
| container_title_str |
Sendas |
| language |
Español |
| format |
Artículo revista |
| topic |
social gesture extra-daily body dance-theatre gesto social cuerpo extra-cotidiano danza-teatro |
| spellingShingle |
social gesture extra-daily body dance-theatre gesto social cuerpo extra-cotidiano danza-teatro Castaños Manavella, Lucía Garay, Victoria Rossetti, Ludmila Elizabeth The social gesture and the extra-daily body: An approach to stage construction |
| topic_facet |
social gesture extra-daily body dance-theatre gesto social cuerpo extra-cotidiano danza-teatro |
| author |
Castaños Manavella, Lucía Garay, Victoria Rossetti, Ludmila Elizabeth |
| author_facet |
Castaños Manavella, Lucía Garay, Victoria Rossetti, Ludmila Elizabeth |
| author_sort |
Castaños Manavella, Lucía |
| title |
The social gesture and the extra-daily body: An approach to stage construction |
| title_short |
The social gesture and the extra-daily body: An approach to stage construction |
| title_full |
The social gesture and the extra-daily body: An approach to stage construction |
| title_fullStr |
The social gesture and the extra-daily body: An approach to stage construction |
| title_full_unstemmed |
The social gesture and the extra-daily body: An approach to stage construction |
| title_sort |
social gesture and the extra-daily body: an approach to stage construction |
| description |
The following proposal accounts for the research process carried out in 2014/2015 by the UNC Bachelor of Theatre. In the same one we approach "the relation between the social gesture and the extra-daily body as procedure of scenic construction".
We approach the social gesture as materiality that allows us to form an extra-daily body. The language chosen to carry out this is dance-theatre.
It is the bodies and the gesture that allow us to establish stages of creation through which we pass in order to approach a scenic event. In this process, we perceive the influence of improvisation patterns and the singular resolution of the performers, which in turn are reflections of our theoretical research, crossed by concepts of anthropology, sociology, philosophy, dance and theatre. In addition, we realize how this relationship between the extra-daily body and the social gesture makes it possible to compose a stage show. On the other hand, we recognize the influence on the research process of the scenographic elements that compose the scene. |
| publisher |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/sendas/article/view/26397 |
| work_keys_str_mv |
AT castanosmanavellalucia thesocialgestureandtheextradailybodyanapproachtostageconstruction AT garayvictoria thesocialgestureandtheextradailybodyanapproachtostageconstruction AT rossettiludmilaelizabeth thesocialgestureandtheextradailybodyanapproachtostageconstruction AT castanosmanavellalucia elgestosocialyelcuerpoextracotidianounacercamientoalaconstruccionescenica AT garayvictoria elgestosocialyelcuerpoextracotidianounacercamientoalaconstruccionescenica AT rossettiludmilaelizabeth elgestosocialyelcuerpoextracotidianounacercamientoalaconstruccionescenica AT castanosmanavellalucia socialgestureandtheextradailybodyanapproachtostageconstruction AT garayvictoria socialgestureandtheextradailybodyanapproachtostageconstruction AT rossettiludmilaelizabeth socialgestureandtheextradailybodyanapproachtostageconstruction |
| first_indexed |
2024-09-03T20:28:06Z |
| last_indexed |
2024-09-03T20:28:06Z |
| _version_ |
1809208087685365760 |