The reception of Late Antiquity in Film

The analysis of perception of ancient world through cinema currently constitutes a whole speciality on its own in the field of classical reception. When checking the abundant and growing bibliography on the issue let us see how the cinematographic reception of late Antiquity represents a minor perce...

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Detalles Bibliográficos
Autor principal: Serrano Lozano, David
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2016
Materias:
late-antiquity
cinema
reception
tardo-antigüedad
cine
recepción
Acceso en línea:https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/21921
Aporte de:
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti de Universidad Nacional de Córdoba
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record_format ojs
spelling I10-R307-article-219212021-06-01T21:54:24Z The reception of Late Antiquity in Film La recepción de la Antigüedad tardía a través del cine Serrano Lozano, David late-antiquity cinema reception tardo-antigüedad cine recepción The analysis of perception of ancient world through cinema currently constitutes a whole speciality on its own in the field of classical reception. When checking the abundant and growing bibliography on the issue let us see how the cinematographic reception of late Antiquity represents a minor percentage, but for works such as those of Martin Winkler or studies focused on a specific movie. This historiographical phenomenon is a projection of the also reduced number of titles displaying late Antiquity throughout the history of peplum, The aim of this contribution is analyzing late Antiquity reception in cinema, including the elements which characterize this period in seventh art, including in contrast with the displaying of other ancient world periods and features, all of it in order to emphasise this area of classical reception. El análisis de la percepción del mundo antiguo a través del cine constituye actualmente una especialidad por derecho propio en el estudio de la recepción del pasado. Una revisión de la abundante y creciente bibliografía al respecto permite comprobar cómo el análisis de la recepción cinematográfica de la antigüedad tardía representa un porcentaje minoritario, salvo excepciones como la obra de Martin Winkler o estudios centrados en un largometraje específico. Este fenómeno historiográfico es una proyección del reducido número de títulos que la representación de la tardo-antigüedad presenta a lo largo de la historia del péplum. El objetivo de esta contribución es realizar un análisis de la recepción de la tardo-antigüedad a través del cine, abordando los elementos con que se caracteriza este período en el séptimo arte, tanto per se como en contraste con la representación de otros períodos y aspectos del mundo antiguo, a fin de resaltar este aspecto de la recepción clásica en el cine. Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2016-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/21921 10.52885/2683-9164.v0.n16.21921 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Núm. 16 (2016); 4-14 2683-9164 1666-6836 10.52885/2683-9164.v0.n16 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/21921/21726 Derechos de autor 2016 David Serrano Lozano
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-307
container_title_str Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti
language Español
format Artículo revista
topic late-antiquity
cinema
reception
tardo-antigüedad
cine
recepción
spellingShingle late-antiquity
cinema
reception
tardo-antigüedad
cine
recepción
Serrano Lozano, David
The reception of Late Antiquity in Film
topic_facet late-antiquity
cinema
reception
tardo-antigüedad
cine
recepción
author Serrano Lozano, David
author_facet Serrano Lozano, David
author_sort Serrano Lozano, David
title The reception of Late Antiquity in Film
title_short The reception of Late Antiquity in Film
title_full The reception of Late Antiquity in Film
title_fullStr The reception of Late Antiquity in Film
title_full_unstemmed The reception of Late Antiquity in Film
title_sort reception of late antiquity in film
description The analysis of perception of ancient world through cinema currently constitutes a whole speciality on its own in the field of classical reception. When checking the abundant and growing bibliography on the issue let us see how the cinematographic reception of late Antiquity represents a minor percentage, but for works such as those of Martin Winkler or studies focused on a specific movie. This historiographical phenomenon is a projection of the also reduced number of titles displaying late Antiquity throughout the history of peplum, The aim of this contribution is analyzing late Antiquity reception in cinema, including the elements which characterize this period in seventh art, including in contrast with the displaying of other ancient world periods and features, all of it in order to emphasise this area of classical reception.
publisher Centro de Estudios Históricos Profesor Carlos S. A. Segreti
publishDate 2016
url https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/21921
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