Making repetition a craft: a review of the essays in Ahuecar la mano
These words seek to unravel some procedures -knowing that others escape their fate- in the creation of the stage proposal Ahuecar la mano (2023). As a moving scribe, I work with what I did not see to defend what we can know without looking: with intuition and groping, on this side of the stage and r...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/43759 |
| Aporte de: |
| Sumario: | These words seek to unravel some procedures -knowing that others escape their fate- in the creation of the stage proposal Ahuecar la mano (2023). As a moving scribe, I work with what I did not see to defend what we can know without looking: with intuition and groping, on this side of the stage and rehearsal. I also make room for the hand recording of those traces that remain after the slogans of movement, when the thought is as hot as the muscles. To share -or to give the joy-, I follow the notes in the notebooks of those of us who made Ahuecar la mano as one who looks for an idea by going with his back to meet it: passing the pages from back to front. I reread what is mine and what is not mine. What I wrote for myself and what others wrote without imagining that I would read it. |
|---|