White Plastic
The exercise that we propose in the essay, with a little ambition perhaps, is to provoke with words the experience or sensation equivalent to the one that the artist produces when working with the matter of the visible. Within this pretension is introduced the phenomenon of spatiality, as a recurren...
Guardado en:
| Autores principales: | , , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/22073 |
| Aporte de: |
| Sumario: | The exercise that we propose in the essay, with a little ambition perhaps, is to provoke with words the experience or sensation equivalent to the one that the artist produces when working with the matter of the visible. Within this pretension is introduced the phenomenon of spatiality, as a recurrent theme in our discipline. We intend to summon a plastic image through the modeling of a text. The essay is organized in this way, through sections that alternate between a discursive text about the procedure we exercise and an experimental text that approximates the concretion of the exercise: "A thousand small white fishes/as if it were boiling/the colour of the water" (Konishi Raizan, n.d). |
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