Una mirada entornada. La intimidad a través del marco
This article proposes a critique of heterosexual affective economy of intimacy and pleasures. To this end, we reflect with the film Las herederas (Martinessi, 2018), and authors such as S. Ahmed, L. Berlant and J. Butler. “Chela”, the main character of the film, glances at the scenes through a half-...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
ANarchivo [Facultad de Ciencias de la Comunicación]
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CIPeCo/article/view/44835 |
| Aporte de: |
| Sumario: | This article proposes a critique of heterosexual affective economy of intimacy and pleasures. To this end, we reflect with the film Las herederas (Martinessi, 2018), and authors such as S. Ahmed, L. Berlant and J. Butler. “Chela”, the main character of the film, glances at the scenes through a half-open door in her mansion in Asunción. We take her half-closed, twisted gaze as the key to trace minor intimacies, and glimpse gestures of lesbian eroticism, not encrypted in the hegemonic normative frames. In twisting the gaze, we half-close our eyes, with no attempt to close narratives or meanings. We propose to analyze the possibilities and limitations of the Butlerian notion of “frame” when working with scenes of intimacy and its link with non-heteronormated erotica. |
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