La ambigüedad como poética de disenso: reconfiguraciones del testimonio y nuevas representaciones del sujeto letrado en las obras de Pedro Lemebel y María Moreno
This paper analyzes the changes that occurred in the testimonial literature of the SouthernCone after the defeat of the revolutionary projects of the 1960s and 1970s. The hypothesis isthat the outbreak of the dictatorships motivated, at the same time, a process of dismantlingthe testimony in its fou...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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ANarchivo [Facultad de Ciencias de la Comunicación]
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CIPeCo/article/view/41763 |
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| Sumario: | This paper analyzes the changes that occurred in the testimonial literature of the SouthernCone after the defeat of the revolutionary projects of the 1960s and 1970s. The hypothesis isthat the outbreak of the dictatorships motivated, at the same time, a process of dismantlingthe testimony in its foundations of truth and argumentative transparency, as well as aprogressive reconfiguration of this aesthetic current from approaches that assumed theconcept of ambiguity as a sine qua non condition for the exercise of ideas. In this sense, thework proposes a double objective. First, to identify the most significant aspects of the theoriesthat approached this tradition from a critical perspective with the ideological dogmatism. Andsecond, to investigate how this aesthetic current is redefined in the works of Pedro Lemebeland María Moreno, two representative writers of the processes of dismantling the testimonyin the Southern Cone. |
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