Who can play? An approach to the work with childhoods by/from the National Museum of Colombia

This text aims to show and discuss, from an ethnographic perspective, the way in which children and adults participate, interact and relate in processes such as the design and development of educational experiences at the National Museum of Colombia and, at the same time, how these processes that st...

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Autor principal: Suárez Caro, Alejandro
Formato: Artículo revista
Lenguaje:Español
Publicado: CIECS-CONICET-UNC 2022
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Acceso en línea:https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/39707
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id I10-R280-article-39707
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spelling I10-R280-article-397072025-05-05T20:48:27Z Who can play? An approach to the work with childhoods by/from the National Museum of Colombia ¿Quiénes pueden jugar? : Acercamiento al trabajo con infancias desde el Museo Nacional de Colombia Suárez Caro, Alejandro Suárez Caro, Alejandro Museo Nacional de Colombia infancias participación codiseño experiencias educativas National Museum of Colombia Childhood participation co-design educational experiences This text aims to show and discuss, from an ethnographic perspective, the way in which children and adults participate, interact and relate in processes such as the design and development of educational experiences at the National Museum of Colombia and, at the same time, how these processes that start from an adult-centric place, are opening up so that childhoods can participate actively. In this way, three situations will be reviewed: the first case is a contextualization of the traditional educational experiences, in which children only participate in dialogues proposed by adults. The second case is about the description of some of the activities of the Explorando Patrimonios project, which are designed taking into account the sensitivities, interests, experiences and life stories of children, caregivers and teachers; all very important voices in the assessment processes. And the last case explores recent works, such as the elaboration of the videos My World, my Museum in which, based on horizontal work, children and adults agreed on versions of the world, the museum and its social function. Este texto tendrá como objetivo mostrar y discutir, a partir de una mirada etnográfica, la manera en la que participan, interactúan y se relacionan niños y adultos en procesos como el diseño y desarrollo de experiencias educativas del Museo Nacional de Colombia y, a su vez, cómo estos procesos que parten de un lugar adultocréntrico, se van abriendo para que las infancias puedan actuar abiertamente. De esta manera, serán revisadas tres situaciones: el primer caso, corresponde a una contextualización de las experiencias educativas tradicionales, en las que lxs niñxs solo participan de los diálogos que proponen los adultos. El Segundo caso, concierne a la descripción de algunas de las actividades del proyecto Explorando Patrimonios, que son diseñadas teniendo en cuenta las sensibilidades, los intereses, las experiencias y las historias de vidas de niños, cuidadores y profesores; todas voces muy importantes en los procesos de evaluación. Y el último caso, explora trabajos recientes, como la elaboración de los vídeos Mi Mundo, mi Museo en los que, a partir de trabajo horizontal, niños y adultos acordaron versiones sobre el mundo, el museo y su función social. CIECS-CONICET-UNC 2022-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/39707 EducaMuseo; Vol. 1 (2022) 2953-4283 spa https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/39707/39790 https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/39707/49027 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-280
container_title_str EducaMuseo
language Español
format Artículo revista
topic Museo Nacional de Colombia
infancias
participación
codiseño experiencias educativas
National Museum of Colombia
Childhood
participation
co-design educational experiences
spellingShingle Museo Nacional de Colombia
infancias
participación
codiseño experiencias educativas
National Museum of Colombia
Childhood
participation
co-design educational experiences
Suárez Caro, Alejandro
Suárez Caro, Alejandro
Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
topic_facet Museo Nacional de Colombia
infancias
participación
codiseño experiencias educativas
National Museum of Colombia
Childhood
participation
co-design educational experiences
author Suárez Caro, Alejandro
Suárez Caro, Alejandro
author_facet Suárez Caro, Alejandro
Suárez Caro, Alejandro
author_sort Suárez Caro, Alejandro
title Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
title_short Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
title_full Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
title_fullStr Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
title_full_unstemmed Who can play? An approach to the work with childhoods by/from the National Museum of Colombia
title_sort who can play? an approach to the work with childhoods by/from the national museum of colombia
description This text aims to show and discuss, from an ethnographic perspective, the way in which children and adults participate, interact and relate in processes such as the design and development of educational experiences at the National Museum of Colombia and, at the same time, how these processes that start from an adult-centric place, are opening up so that childhoods can participate actively. In this way, three situations will be reviewed: the first case is a contextualization of the traditional educational experiences, in which children only participate in dialogues proposed by adults. The second case is about the description of some of the activities of the Explorando Patrimonios project, which are designed taking into account the sensitivities, interests, experiences and life stories of children, caregivers and teachers; all very important voices in the assessment processes. And the last case explores recent works, such as the elaboration of the videos My World, my Museum in which, based on horizontal work, children and adults agreed on versions of the world, the museum and its social function.
publisher CIECS-CONICET-UNC
publishDate 2022
url https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/39707
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