Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome

Negi Haruba's work presents characters that are so aware of the culture in which they are inserted that their lucidity allows them to reflect on their closeness to the society that frames them. In this sense, this work aims to consider how some of the cultural traditions of Japanese society are...

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Autor principal: Bergonce, Agustín
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
manga
Go–Tōbun no Hanayome
cómic
Negi Haruba
gambaru
comic
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-46401
record_format ojs
spelling I10-R278-article-464012024-12-03T14:50:06Z Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome Cinco hermanas de una misma sociedad: una mirada a la cultura japonesa desde Go-Tōbun no Hanayome Bergonce, Agustín manga Go–Tōbun no Hanayome cómic Negi Haruba gambaru manga Go–Tōbun no Hanayome comic Negi Haruba gambaru Negi Haruba's work presents characters that are so aware of the culture in which they are inserted that their lucidity allows them to reflect on their closeness to the society that frames them. In this sense, this work aims to consider how some of the cultural traditions of Japanese society are reflected in the characters of Go–Tōbun no Hanayome. Along these lines, the article proposes to contemplate how each of the Nakano sisters, protagonists of the work, embodies fundamental aspects of Japanese social practices. Accordingly, the different sections of this article aim to emphasize on how the representation of these customs influences not only the personalities of the protagonists, but also their interactions and perceptions of the world. To this end, the article finds support in the depiction of customs such as determination (gambaru) and the neutrality of the intermediary (tsunagari), as well as in the importance of laughter, gestures and mimesis in Japanese daily life. Through the analytical dialogue between text and culture, Go–Tōbun no Hanayome becomes a gateway to think about some aspects of Japanese society, relating the behavior of its characters to the norms and values ​​of their nation. La obra de Negi Haruba plantea personajes tan conscientes de la cultura en la que se insertan como para que su lucidez permita reflexionar sobre la cercanía con la sociedad que los enmarca. En este sentido, el presente trabajo pretende reflexionar sobre cómo algunas de las tradiciones culturales de la sociedad japonesa se ven reflejadas en los personajes de Go–Tōbun no Hanayome. En esta línea, el artículo analiza cómo cada una de las hermanas Nakano, protagonistas de la obra, encarnan aspectos fundamentales de las prácticas sociales niponas. En concordancia, los diferentes apartados apuntan a enfatizar cómo la representación de estas costumbres influyen no solo en las personalidades de los protagonistas, sino también en sus interacciones y percepciones del mundo. Para ello, el artículo encuentra sustento en la representación de costumbres como la determinación (gambaru) y la neutralidad del intermediario (tsunagari), así como la importancia de la risa, la gestualidad y la mímesis en la vida diaria japonesa. A través del diálogo analítico entre texto y cultura, Go–Tōbun no Hanayome se torna una puerta de entrada para pensar en algunos aspectos de la sociedad japonesa, relacionando el comportamiento de sus personajes con las normas y valores de su nación. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-12-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401 Nota al margen; Vol. 2 No. 4 (2024); 56-67 Nota al margen; Vol. 2 Núm. 4 (2024); 56-67 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401/47403 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401/47404 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401/47405 Derechos de autor 2024 Agustín Bergonce https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic manga
Go–Tōbun no Hanayome
cómic
Negi Haruba
gambaru
manga
Go–Tōbun no Hanayome
comic
Negi Haruba
gambaru
spellingShingle manga
Go–Tōbun no Hanayome
cómic
Negi Haruba
gambaru
manga
Go–Tōbun no Hanayome
comic
Negi Haruba
gambaru
Bergonce, Agustín
Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
topic_facet manga
Go–Tōbun no Hanayome
cómic
Negi Haruba
gambaru
manga
Go–Tōbun no Hanayome
comic
Negi Haruba
gambaru
author Bergonce, Agustín
author_facet Bergonce, Agustín
author_sort Bergonce, Agustín
title Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
title_short Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
title_full Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
title_fullStr Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
title_full_unstemmed Five Sisters from the Same Society: a Look at Japanese Culture from Go-Tōbun no Hanayome
title_sort five sisters from the same society: a look at japanese culture from go-tōbun no hanayome
description Negi Haruba's work presents characters that are so aware of the culture in which they are inserted that their lucidity allows them to reflect on their closeness to the society that frames them. In this sense, this work aims to consider how some of the cultural traditions of Japanese society are reflected in the characters of Go–Tōbun no Hanayome. Along these lines, the article proposes to contemplate how each of the Nakano sisters, protagonists of the work, embodies fundamental aspects of Japanese social practices. Accordingly, the different sections of this article aim to emphasize on how the representation of these customs influences not only the personalities of the protagonists, but also their interactions and perceptions of the world. To this end, the article finds support in the depiction of customs such as determination (gambaru) and the neutrality of the intermediary (tsunagari), as well as in the importance of laughter, gestures and mimesis in Japanese daily life. Through the analytical dialogue between text and culture, Go–Tōbun no Hanayome becomes a gateway to think about some aspects of Japanese society, relating the behavior of its characters to the norms and values ​​of their nation.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/46401
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first_indexed 2025-02-05T22:16:00Z
last_indexed 2025-02-05T22:16:00Z
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