Writing as form: style and desire in November by Flaubert and Silk by Baricco

The need to conceive art not as a simple representation of the world, but as an autonomous object itself, had already been pointed out by the romantics of the 18th century and recovered by Gustave Flaubert, who expresses in a letter: “What seems beautiful to me, what I should like to write, is a boo...

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Autores principales: De Alessandro, Carla, Moyano, Ana
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
l’art pour l’art
estilo
deseo
forma
L’art pour l’art
style
desire
form
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-44749
record_format ojs
spelling I10-R278-article-447492024-07-05T21:10:37Z Writing as form: style and desire in November by Flaubert and Silk by Baricco La escritura como forma: estilo y deseo en Noviembre de Flaubert y Seda de Baricco De Alessandro, Carla Moyano, Ana l’art pour l’art estilo deseo forma L’art pour l’art style desire form The need to conceive art not as a simple representation of the world, but as an autonomous object itself, had already been pointed out by the romantics of the 18th century and recovered by Gustave Flaubert, who expresses in a letter: “What seems beautiful to me, what I should like to write, is a book about nothing ... which would be held together by the strength of its style.” This idea organizes our article: to study November (1842) by Gustave Flaubert and Silk (1996) by Alessandro Baricco in a comparative way, as texts whose purpose is to exercise or to practice a style. We will consider, thus, from an aesthetic and hermeneutic perspective, that in these works the novelistic creation is organically linked to the creation and staging of the exercise of a style that seeks to create a new sensitivity through desire. This element shapes the common thread not only of the diegesis, but also of the creation of an aesthetic experience. Therefore, our object of study in this work focuses on desire as an essential component of the novel: there is a passage from representation to expression, where content and substance lose their centrality. La necesidad de concebir el arte como objeto autónomo y no como una mera representación del mundo sino un objeto en sí y por sí mismo, ya había sido señalada por los románticos del siglo XVIII y recuperada por Flaubert, que en una carta declara: “Lo que me parece bello, lo que me gustaría hacer, es un libro sobre nada ... que se sostendría por sí mismo gracias a la fuerza interior de su estilo”. Esta idea organiza nuestro trabajo: estudiar Noviembre (1842) de Flaubert y Seda (1996), de Baricco de manera comparada, como obras cuyo fin es el de ejercitar o practicar un estilo. Proponemos pensar, desde una perspectiva estético-hermenéutica, que en estas obras la creación novelesca se vincula de forma orgánica con la creación y la puesta en escena del ejercicio de un estilo caracterizado por la búsqueda de la construcción de una nueva sensibilidad a través del deseo, que conforma el hilo conductor no solo de la diégesis sino también de la creación de una experiencia estética. Por ello, estudiaremos el deseo como componente esencial de la novela postulando que... Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749 Nota al margen; Vol. 2 No. 3 (2024); 53-66 Nota al margen; Vol. 2 Núm. 3 (2024); 53-66 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749/45596 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749/45597 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749/45598 Derechos de autor 2024 Carla De Alessandro, Ana Moyano https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic l’art pour l’art
estilo
deseo
forma
L’art pour l’art
style
desire
form
spellingShingle l’art pour l’art
estilo
deseo
forma
L’art pour l’art
style
desire
form
De Alessandro, Carla
Moyano, Ana
Writing as form: style and desire in November by Flaubert and Silk by Baricco
topic_facet l’art pour l’art
estilo
deseo
forma
L’art pour l’art
style
desire
form
author De Alessandro, Carla
Moyano, Ana
author_facet De Alessandro, Carla
Moyano, Ana
author_sort De Alessandro, Carla
title Writing as form: style and desire in November by Flaubert and Silk by Baricco
title_short Writing as form: style and desire in November by Flaubert and Silk by Baricco
title_full Writing as form: style and desire in November by Flaubert and Silk by Baricco
title_fullStr Writing as form: style and desire in November by Flaubert and Silk by Baricco
title_full_unstemmed Writing as form: style and desire in November by Flaubert and Silk by Baricco
title_sort writing as form: style and desire in november by flaubert and silk by baricco
description The need to conceive art not as a simple representation of the world, but as an autonomous object itself, had already been pointed out by the romantics of the 18th century and recovered by Gustave Flaubert, who expresses in a letter: “What seems beautiful to me, what I should like to write, is a book about nothing ... which would be held together by the strength of its style.” This idea organizes our article: to study November (1842) by Gustave Flaubert and Silk (1996) by Alessandro Baricco in a comparative way, as texts whose purpose is to exercise or to practice a style. We will consider, thus, from an aesthetic and hermeneutic perspective, that in these works the novelistic creation is organically linked to the creation and staging of the exercise of a style that seeks to create a new sensitivity through desire. This element shapes the common thread not only of the diegesis, but also of the creation of an aesthetic experience. Therefore, our object of study in this work focuses on desire as an essential component of the novel: there is a passage from representation to expression, where content and substance lose their centrality.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44749
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first_indexed 2024-09-03T22:37:57Z
last_indexed 2025-02-05T22:15:56Z
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